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Bothal
castle
Original small antique
:copperplate and wood engraved print
published 1816 in 'The Antiquarian
Itinerary, comprising Specimens of
Architecture, monastic, castellated and
domestic' by: J S Storer. drawn and
engraved by J Greig Image size 14 x 21cm
£6 full page
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Bothal
castle 2
Original small antique
:copperplate and wood engraved print
published 1816 in 'The Antiquarian
Itinerary, comprising Specimens of
Architecture, monastic, castellated and
domestic' by: J S Storer. drawn and
engraved by J Greig Image size 14 x 21cm
£6 full page
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Bothal
castle reamains of Lady's Chapel
Original small antique
:copperplate and wood engraved print
published 1816 in 'The Antiquarian
Itinerary, comprising Specimens of
Architecture, monastic, castellated and
domestic' by: J S Storer. drawn and
engraved by J Greig Image size 14 x 21cm
£6 full page
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Warkworth
castle
Original small antique
:copperplate and wood engraved print
published 1816 in 'The Antiquarian
Itinerary, comprising Specimens of
Architecture, monastic, castellated and
domestic' by: J S Storer. drawn and
engraved by J Greig Image size 14 x 21cm
£6 full page
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Bishop
Wearmouth Church
Original small antique
:copperplate and wood engraved print
published 1816 in 'The Antiquarian
Itinerary, comprising Specimens of
Architecture, monastic, castellated and
domestic' by: J S Storer. drawn and
engraved by J Greig Image size 14 x 21cm
£6 full page
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Warkworth
castle 2
Original small antique
:copperplate and wood engraved print
published 1816 in 'The Antiquarian
Itinerary, comprising Specimens of
Architecture, monastic, castellated and
domestic' by: J S Storer. drawn and
engraved by J Greig Image size 14 x 21cm
£6 full page
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Warkworth
Hermitage
Original small antique
:copperplate and wood engraved print
published 1816 in 'The Antiquarian
Itinerary, comprising Specimens of
Architecture, monastic, castellated and
domestic' by: J S Storer. drawn and
engraved by J Greig Image size 14 x 21cm
£6 full page
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Warkworth
Castle 1
Antique
copper line engraved print By Hooper and
Newton for Francis
GROSE
(c.1731
. .1791) for THE ANTIQUITIES OF ENGLAND
AND WALES , first published in 1772/3.
Image 26 x22 cm
.£10
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Warkworth
Castle 2
Antique
copper line engraved print By Hooper and
Newton for Francis
GROSE
(c.1731
. .1791) for THE ANTIQUITIES OF ENGLAND
AND WALES , first published in 1772/3.
Image 26 x22 cm
£10 .. . 2
copies
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Warkworth
Hermitage
£12 c
1790
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Warkworth
castle
mounted by a Victorian
with Calligraphy title
£8
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Warkworth
Castle
Antique
engraved print by
Allom
&
Sands from an
original study by Thomas Allom (1804.
.1872). Originally produced for the
part-work "Northern Tourist" series
(London 1832-1835).Steel line engraving on
paper.. Engraved surface 107 x 154mm
(approx. 4-1/4" x 6").£8 untinted not
as per pic
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Hesleyside
From'
Views of Seats' written by & drawn by
John
Preston Neale
and engraved by various artists.
Published, as PROOFS by subscription
between 1812 and 1825.£8 this print
is unmounted .
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Newcastle
town
by
Westall & Finden Drawn by William
Westall A.R.A. (1781 to1850). Originally
produced for the part-work series "Great
Britain Illustrated" (London 1828-1830).
Steel line engraving on paper. Engraved
surface 107 x 146mm (approx. 4-1/4" x
5-3/4"). £8 UNtinted not as pic
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Howick
hall
From'
Views of Seats' written by & drawn by
John
Preston Neale
and engraved by various artists.
Published, as PROOFS by subscription
between 1812 and 1825.£8 this print
is unmounted .UNtinted not as
pic
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Bothwell castle
antique engraving from
"The Ancient Castles of England and
Wales"mainly by William Woolnoth
(fl.1805-1850) A landscape engraver
believed to be the elder brother of Thomas
W.written by Edward William Brayley
(London
1825).£8
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Norham castle
antique engraving from
"The Ancient Castles of England and
Wales"mainly by William Woolnoth
(fl.1805-1850) A landscape engraver
believed to be the elder brother of Thomas
W.written by Edward William Brayley
(London
1825).£8
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Warkworth castle 1
antique engraving from
"The Ancient Castles of England and
Wales"mainly by William Woolnoth
(fl.1805-1850) A landscape engraver
believed to be the elder brother of Thomas
W.written by Edward William Brayley
(London
1825).£8
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Central Exchange Newsroom
Newcastle
antique engraving c
1810 odd lithograph from a local
publication ? close cut
£8
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Warkworth castle 2
antique engraving from
"The Ancient Castles of England and
Wales"mainly by William Woolnoth
(fl.1805-1850) A landscape engraver
believed to be the elder brother of Thomas
W.written by Edward William Brayley
(London
1825).£8
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with->
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231/232 Tynemouth, Newcastle,
Hexham, Haltwhistle, Carlisle..
Road Map by Emanuel Bowen Published by
John Owen in 1720 in ccontained in the
decorative cartouche at the top of the
map. Copper engraved map hand coloured
Size 12x18cms £25 both sides shown
and tinted
Northumberland, Cumberland
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The Road from Carlisle and Berwick upon Tweed
passing through Jedburgh and Kelso..... Page
62
From a series of 100 strip Road Maps of
England and Wales each measuring about 17 x 13
inches 46 x 34 cm Published in 1675 & 1698 .
ohn Ogilby, born 1600 near Edinburgh, died 1676,
had an extremely versatile career, being a
bookseller, translator, printer, dancing master,
theatre owner, master of the King's Revels, and
finally a geographer. His claim to fame rests
most securely on his last accomplishment. He
made the first survey of the roads of England
and Wales, the results being published in a
folio volume entitled Britannia, Vol. 1.....a
Geographical and Historical Description of the
Principal Roads thereof, 1675. This had 100
copper-plates showing the roads in continuous
strip form, six or seven to a plate, with a
decorative heading enclosing the title. Ogilby
was the first to adopt the statute mile of 1,760
yards. Before Ogilby different scales were used
in different parts of the country......he
revolutionised the printed map: from his time,
roads began to be inserted on the county maps,
and this soon became an established practise
£155 age staining central fold small tear
right corner mended
INCLUDES :-CARLISLE, Kirklinton (Kirk
Leventon), River Lyne (Leven or Line Fluvius),
Kingsfield, Lethell, Stonegarth alias
Stangartick, Kirkby Hill, Liddel Water (Liddale
Fluvius), Castleton, Jedburgh, Jed Water (Jed
Fluvius), Crailing (Craline), Eckford
(Sackford), Heiton (Highton), Kelso, Sprouston
(Proyfton), Carham (Carram), Wark Castle,
Cornhill on Tweed (Cornill aka Cornwell), River
Till (Till Fluvius), River Tweed, BERWICK upon
TWEED (BARWICK)
. .
.Northumberland, Cumberland, Scotland
William
DANIELL,1769-1837
'A Voyage Round Great Britain' In early
1813, Daniell conceived of the ambitious plan to
travel around the entire coastline of Britain
while producing an illustrated work of the
voyage. ,In 1814, artist engraver William
Daniell set out to record the people, places,
towns and villages around Britain's coastline.
Eleven years later he completed his magnum opus
having travelled from Land's End to John
0'Groats via the west coast, then back to Land's
End via the east.The result was a collection of
308 aquatint engravings, the last great artist's
voyage before photography was invented. images
all 9" x 11",
William Daniell, an engraver and
painter, belonged to a family of English
artists. He was raised by his uncle, Thomas
Daniell, a painter and engraver, lived with him
in India from 1784-94, and worked with him on
publications based on his travels. In 1795 he
settled in London, where he remained for the
rest of his life. He collaborated with Thomas on
A Voyage Round Great Britain (1814-25). Daniell
was a member of the Royal Academy and exhibited
there from 1795 to 1838
This series was published in 8 volumes during
the period 1814 to 1825. The journey was
initially started in 1813 and was a joint
project with William Daniell producing the
drawings and William Ayton the text. This
partnership lasted for the first two volumes,
thereafter Daniell produced the text as well.
The latter text relates to the plates and is
relatively pedestrian, whereas Ayton used the
voyage for his own agenda and sociological
interests, his text is only loosely related to
the plates and concentrates on the manners and
customs of people he met.308 handcoloured
aquatints.
Thomas Sutton in The Daniells Artists and
Travellers outlines the journey as follows: . .
"During the summer of 1813 Ayton and Daniell
surveyed the coast from Land's End up to
Holyhead, where the first year's voyage closed
near the middle of October (plates 1-26). The
following year their journeys re commenced at
Holyhead, at the beginning of August, and
proceeded as far as Creetown or Dunsky Castle in
Kircudbright. This at any rate, was the limit of
Ayton's tour (plates 27-56). Daniell started off
alone from Wigtown, early in the summer and
finished his survey of the entire coast of
Scotland, as far as Dundee, which he reached in
October. This very lengthy tour was rendered
possible by an exceptionally fine spell of
weather (plates 57-195).
Six years elapsed before Daniell commenced
the further prosecution of his journey. Arriving
at St. Andrews on August 4th, 1821, he surveyed
the remaining portion of the Scottish coast, and
the east coast of England as far as Southend,
which he reached towards the end of September
(plates 196-224). The following year he left
Sheerness on July 28th, and explored the south
coast as far as Torquay, whence he returned to
London on September 27th (plates 225-277). The
concluding tour, a comparatively short one,
commenced from Torquay on Thursday, August 21st,
1823, and embraced the final portion of the
south coast to Land's end, which was reached for
the second time on September 14th (plates
278-308). "
DUE TO SOFT COLOURING THESE ARE SLIGHTLY
BLEACHED TO REVEAL ALL DETAILS IN A Very
Compressed COMPUTER FRIENDLY FORMAT . . CORRECT
DAYLIGHT PICS CAN BE DONE AND SENT IF WISHED
North Shields Northumberland
£150 inc posted all pretty mint;
taken through filthy glass pic okay photo rubbish
sorry
Tynemouth Northumberland
£150 inc posted all pretty mint;
taken through filthy glass pic okay photo rubbish
sorry
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