Carleton House. Pall Mall, London. / Carlton
House
Rowlandson & Pugin del et
Sculpt. J.C. Stadler Aquat.
London, Pub. Full page Original Aquatint from .The "Repository of
Arts, Literature, Commerce, Manufactures, Fashions and Politics,
commonly known as Ackermann's Repository, after Rudolph Ackermann,
its publisher .... first appeared in London in 1809 as a monthly
publication Dated 1811 at 101 Strand Image 20 x 12 cm Page 54 x 36
cm so Full margins ! £105
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The Staircase, Carlton House. Pall Mall,
London.
Rowlandson & Pugin del et
Sculpt. J.C. Stadler Aquat.
London, Pub. Full page Original Aquatint from .The "Repository of
Arts, Literature, Commerce, Manufactures, Fashions and Politics,
commonly known as Ackermann's Repository, after Rudolph Ackermann,
its publisher .... first appeared in London in 1809 as a monthly
publication Dated 1811 at 101 Strand Image 20 x 30 cm Page 54 x 36
cm so Full margins ! £115 also another cropped copy mounted
at
£85
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Carlton House. Pall Mall, London.
Rowlandson & Pugin del et
Sculpt. J.C. Stadler Aquat.
London, Pub. July 1st July, 1809 at R. Ackermann's Repository of
Arts 101 Strand. for the Repository of Arts Vol/Plate: 6/19. In
addition to the impression in Select Views(Papworth) City of
Westminster Library have three versions of this print, one of the
outline etching only; one with outline etching and aquatint,
uncoloured; and one with the outline etching and aquatint coloured
Coloured aquatint. full borders /full page £125 Image 32 x 13
cm
Page 54 x 36 cm so Full margins !
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56. Mounting Guard, St. James's Park Vol 2
from ACKERMANN'S MICROCOSM OF LONDON (1808)
104 Handcoloured
aquatints in three volumes, issued in parts between 1808 and 1810.
Published by Rudolph Ackermann, this series is of interest in
setting a new standard for the figures "staffage" in topographical
prints. This was achieved by an exceptional partnership between
Augustus Pugin, who made the architectural drawing, and Thomas
Rowlandson, who added the figures, frequently caricatures. The
majority of the plates were aquatinted by J. Bluck and Joseph
Stadler . .. good margins, good colour some age toning mounted etc
£95
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83. Tattersall's Horse Repository Vol 3
from ACKERMANN'S MICROCOSM OF LONDON (1808)
104 Handcoloured
aquatints in three volumes, issued in parts between 1808 and 1810.
Published by Rudolph Ackermann, this series is of interest in
setting a new standard for the figures "staffage" in topographical
prints. This was achieved by an exceptional partnership between
Augustus Pugin, who made the architectural drawing, and Thomas
Rowlandson, who added the figures, frequently caricatures. The
majority of the plates were aquatinted by J. Bluck and Joseph
Stadler . . this one is by Sutherland . This series of prints is
Series 99 as catalogued in London Illustrated 1604-1851 by Bernard
Adams..full page good margins, good colour mounted etc £95
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"Buckingham House" on May 1, 1819 now
Buckingham
Palce
by W.Westall delt., T.Sutherland sculpt.
W. Westall delt. A T.
Sutherland sculpt. from PYNE, W.H. From The history of the royal
residences of Windsor Castle, St. James's Palace, Carlton House,
Kensington Palace, Hampton Court, Buckingham House, and Frogmore.
By W.H. Pyne. Illustrated by one hundred highly finished and
coloured engravings, fac-similes of original drawings by the most
eminent artists. London: printed for A. Dry, 1819. £105 in an
odd
paper window mount with close borders as seen in
pic
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Upper section is a view of Lower Regent
Street with a
vignette of Carlton House underneath.
by Pugin, Augustus Charles
(1762-1832) delt.,
Sutherland, Thomas (fl.1785-1838) sculpt published by .Colnaghi
& Co.t. from PYNE, W.H. From The history of the royal
residences of Windsor Castle, St. James's Palace, Carlton House,
Kensington Palace, Hampton Court, Buckingham House, and Frogmore.
By W.H. Pyne. Illustrated by one hundred highly finished and
coloured engravings, fac-similes of original drawings by the most
eminent artists. London: printed for A. Dry, 1819. £75 in an
odd
paper window mount with close borders as seen in pic and some
foxing/age toning
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Cockspur Street from Malton's
ambitious series of aquatints
and engravings "A Picturesque Tour Through London," issued between
1792-1801
T. Malton delint. & fecit.
Publish'd (date) and Sold by T.
Malton, No. 8, Carlisle Street, Soho. f Plate 20, page 32 Cockspur
Street. Jan 18th 1797. 215 x 305mm.
by
Thomas MALTON, (1748-1804)
London: Published by T. Malton, September 2nd 1799. Hand-coloured
aquatint. Image size (including text): 10 1/8 x 12 1/8 inches.
Sheet size: 11 1/2 x 14 5/8 inches.from Malton's ambitious series
of aquatints and engravings "A Picturesque Tour Through London,"
issued between 1792-1801. The son of the architectural draughtsman
Thomas Malton, Thomas Malton the younger was an early exponent of
the art of aquatint, which he used to make multiple copies of the
topographical views for which he was famous. He was chiefly known
for his stunning views of London, which were prized for their
architectural accuracy and regarded as valuable topographical
records. Like his brother James, Malton worked as a draughtsman in
the office of the celebrated Irish architect James Gandon in
London. He regularly exhibited at the Royal Academy, beginning in
1773, and was awarded a prestigious pecuniary prize by the Society
of Arts in 1774. From 1783 to 1789, he taught an evening drawing
class from his home in London's Conduit Street, where he instructed
a young Thomas Girtin and J. M. W. Turner, the latter of whom he
greatly influenced. £85 water mark to the sky would remove
also on
also on Malton page
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A Prospect of Chelsea Bridge Water-Works.
Sold by A.Benoist at Mr.Masons next door to the Golden Ball in the
Hay Market, over against the Opera House - According to Act of
Parliament. [, c.1760].
Engraving with original hand
colour. 220 x 385mm..
This is cut to image edge with the title pasted to the back
,water marks and surface soiling that could be removed but still
mega rare £45 shown large to show defects
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A Prospect of the Inside of Westminster Hall, Shewing how the King and
Queen, with the Nobility and Others, did Sit at Dinner on the day of
the Coronation, (23 Apr. 1685). With the manner of
Champions
performing the Ceremonies of Challenge whilst the King etc were at
Dinner . The whole taken from Sandford
S. Moore fecit.from Francis Sandford "The History
of the
coronation of ... James II ... King of England, Scotland, France and
Ireland, and of ... Queen Mary .... "published 1687 Old colour laid to
board with abrasion/loss bottom left corner.Rare
engraving.
Old tint laid to paper many moons ago. Why the horses / Champions
delivering food ? £65 a stunning survivor Image
25.5 x 23 cm
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Prospect of Bridewell
View of the Prospect of
Bridewell
from above showing two courtyards with figures. 1755 from the
part-work edition of John Stow's "A Survey of the Cities of London
and Westminster" (London 1740's onwards ) by John
Strype.Copper
line engraving on paper. Bridewell , area in London, England, between
Fleet St. and the Thames River. The Bridewell house of correction,
demolished in 1863, was on the site of a palace built under Henry VIII
and given by Edward VI to the City of London in 1553 for use as a
training school for homeless apprentices. The building later became a
prison. Bridewell thus came to be used as a general term for a prison
or house of correction. Edition by Kip 1720
or earlier £45
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Kensington Palace: The south and east fronts
1819 by William Westall from 'The History of the Royal residences of
Windsor Castle, St. James's Palace, Carlton House, Kensington Palace,
Hampton Court, Buckhingham House, and Frogmore.'Aquatint --
Hand-coloured by W. H. (William Henry) Pyne, 1769-1843 --
Author
William Westall, , 1781-1850 -- Illustrator .10.25 x 12.5
inches
plate mark (average approximate)
12 x 15 inches overall (average approximate) £150
inc mounted etc Pic darker done in electric light to show any faults
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