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Britannia
Illustrata: Or Views of Several of the Queen's Palaces, also of the
Principal seats of the Nobility and Gentry of Great Britain,
Curiously Engraven on 80 Copper Plates. London (1707)
[1708/9].. .Initially the Palaces, Mansions & Country
Seats
were etched by Kip, after birds-eye views after Leonard Knyff,
Robert Atkyns, James Collins, David Loggan, William Emmett, David
Lockley, James Simon, Wenceslaus Hollar, Henry Winstanley and
others, but as the project developed, Kip produced both the
drawings and the etchings. This, is Kip's best work, Britannia
Illustrata is among the most important English topographical
publications of the 18th. century.They clearly delineate not only
the buildings but the entire estates, for example the entire
orchards, gardens and other details are depicted with great
accuracy. Printed upon early eighteenth century hand-made, laid
paper and with the vertical centre fold, as always.
Johannes Kip
(1653 - 1722) was a Dutch draughtsman, engraver, and print
dealer who was active in England, after producing works for the
court of William of Orange in Amsterdam. Following the Glorious
Revolution of 1688, Kip accompanied the Court to England and
settled in Westminster, where he conducted a thriving print selling
business from his house in St. John's Street. He also worked for
various London publishers producing engravings, largely for book
illustrations. His most important works were the execution of the
illustrations for Britannia Illustrata, 1708; The Ancient and
Present State of Gloucestershire, 1712, and Le Nouveau Theatre de
la Grande Bretagne, 1715.
Leonard
Knyff (1650 - 1721)
was a Dutch draughtsman and painter, who collaborated with Johannes
Kip to produce views of country houses and gardens for the
publications, Britannia Illustrata, 1708 ; Le Nouveau Theatre de la
Grande Bretagne, 1715.
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St Clement’s Church in the Strand,
3rd state with the steeple designed by James Gibbs added to
Wren’s church, engraving, with hand-colouring, 570 x 590mm.,
old folds, London:
1708-49. Copper engraving by Jan Kip
after a drawing by Leonard Knyff, Sheet size: 18 1/4 x 22 3/4
inches. . This print is from Johannes Kip's survey of English
castles, palaces and country houses during the reign of Queen Anne
entitled Britannia Illustrata, or Views of Several of the Queens
Palaces also of the Principal Seats of the Nobility and Gentry of
Great Britain, also published as Nouveau Theatre de la Grande
Bretagne: ou description exacte des palais de la Reine, et des
Maisons les plus considerables des des Seigneurs & des
Gentilshommes de la Grande Bretagne. . .
c.1720. £225 perfect
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The Cathedral
Church of Chester
These views
are generally known as Kip because
he engraved most of the views for Britannia Illustrata, these
important churches/cathedrals are typical of the work, but
few of them actually bear Kip’s name. drawn 1713/.1716
published
1724 in Volume 3 Paper Size (Inches) 20 3/4" x 25 1/2"
Platemark Size (Inches)18 1/8" x 22
7/8" >£95
some odd foxing mainly to margins
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The South
Prospect of the Cathedral
Church of St Peter's Glocester
These views
are generally known as Kip because
he engraved most of the views for Britannia Illustrata, these
important churches/cathedrals are typical of the work, but
few of them actually bear Kip’s name. drawn 1713/.1716
published
1724 in Volume 3 Paper Size (Inches) 20 3/4" x 25 1/2"
Platemark Size (Inches)18 1/8" x 22
7/8" >£125
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The Cathedral
Church of Wells
These views
are generally known as Kip because
he engraved most of the views for Britannia Illustrata, these
important churches/cathedrals are typical of the work, but
few of them actually bear Kip’s name. drawn 1713/.1716
published
1724 in Volume 3 Paper Size (Inches) 20 3/4" x 25 1/2"
Platemark Size (Inches)18 1/8" x 22
7/8" >£125
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The Cathedral
Church of Peterborough
These views
are generally known as Kip because
he engraved most of the views for Britannia Illustrata, these
important churches/cathedrals are typical of the work, but
few of them actually bear Kip’s name. drawn 1713/.1716
published
1724 in Volume 3 Paper Size (Inches) 20 3/4" x 25 1/2"
Platemark Size (Inches)18 1/8" x 22
7/8" >£125
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The Cathedral
Church of Worcester
These views
are generally known as Kip because
he engraved most of the views for Britannia Illustrata, these
important churches/cathedrals are typical of the work, but
few of them actually bear Kip’s name. drawn 1713/.1716
published
1724 in Volume 3 Paper Size (Inches) 20 3/4" x 25 1/2"
Platemark Size (Inches)18 1/8" x 22
7/8" >£125
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The Cathedral
Church of Ely
These views
are generally known as Kip because
he engraved most of the views for Britannia Illustrata, these
important churches/cathedrals are typical of the work, but
few of them actually bear Kip’s name. drawn 1713/.1716
published
1724 in Volume 3 Paper Size (Inches) 20 3/4" x 25 1/2"
Platemark Size (Inches)18 1/8" x 22
7/8" >£125
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The Cathedral
Church of Exeter
These views
are generally known as Kip because
he engraved most of the views for Britannia Illustrata, these
important churches/cathedrals are typical of the work, but
few of them actually bear Kip’s name. drawn 1713/.1716
published
1724 in Volume 3 Paper Size (Inches) 20 3/4" x 25 1/2"
Platemark Size (Inches)18 1/8" x 22
7/8" >£125
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The Cathedral
Church of Hereford
These views
are generally known as Kip because
he engraved most of the views for Britannia Illustrata, these
important churches/cathedrals are typical of the work, but
few of them actually bear Kip’s name. drawn 1713/.1716
published
1724 in Volume 3 Paper Size (Inches) 20 3/4" x 25 1/2"
Platemark Size (Inches)18 1/8" x 22
7/8" >£125
. for fuller image click on pic
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The Cathedral
Church of Worcester
These views
are generally known as Kip because
he engraved most of the views for Britannia Illustrata, these
important churches/cathedrals are typical of the work, but
few of them actually bear Kip’s name. drawn 1713/.1716
published
1724 in Volume 3 Paper Size (Inches) 20 3/4" x 25 1/2"
Platemark Size (Inches)18 1/8" x 22
7/8" >£125
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The Cathedral
Church of Chester
These views
are generally known as Kip because
he engraved most of the views for Britannia Illustrata, these
important churches/cathedrals are typical of the work, but
few of them actually bear Kip’s name. drawn 1713/.1716
published
1724 in Volume 3 Paper Size (Inches) 20 3/4" x 25 1/2"
Platemark Size (Inches)18 1/8" x 22 7/8" >£125
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The Cathedral
Church of Bristol
These views
are generally known as Kip because
he engraved most of the views for Britannia Illustrata, these
important churches/cathedrals are typical of the work, but
few of them actually bear Kip’s name. drawn 1713/.1716
published
1724 in Volume 3 Paper Size (Inches) 20 3/4" x 25 1/2"
Platemark Size (Inches)18 1/8" x 22 7/8" >£105
aged
toned edge tears to marging, loss to bottom edge
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The Cathedral
Church of Winchester
These views
are generally known as Kip because
he engraved most of the views for Britannia Illustrata, these
important churches/cathedrals are typical of the work, but
few of them actually bear Kip’s name. drawn 1713/.1716
published
1724 in Volume 3 Paper Size (Inches) 20 3/4" x 25 1/2"
Platemark Size (Inches)18 1/8" x 22
7/8" >£125
edge tear
centre
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The Cathedral
Church of Peterborough
These views
are generally known as Kip because
he engraved most of the views for Britannia Illustrata, these
important churches/cathedrals are typical of the work, but
few of them actually bear Kip’s name. drawn 1713/.1716
published
1724 in Volume 3 Paper Size (Inches) 20 3/4" x 25 1/2"
Platemark Size (Inches)18 1/8" x 22 7/8"
£125.
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The Cathedral
Church of St David's/
Carmarthen
These views
are generally known as Kip because
he engraved most of the views for Britannia Illustrata, these
important churches/cathedrals are typical of the work, but
few of them actually bear Kip’s name. drawn 1713/.1716
published
1724 in Volume 3 Paper Size (Inches) 20 3/4" x 25 1/2"
Platemark Size (Inches)18 1/8" x 22 7/8" size="-1">£125 . .
creased
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The Cathedral
Church of St Asaph
/Flint
These views
are generally known as Kip because
he engraved most of the views for Britannia Illustrata, these
important churches/cathedrals are typical of the work, but
few of them actually bear Kip’s name. drawn 1713/.1716
published
1724 in Volume 3 Paper Size (Inches) 20 3/4" x 25 1/2"
Platemark Size (Inches)18 1/8" x 22
7/8" >£125
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The Cathedral
Church of Llandaff /
Glamorgan
These views
are generally known as Kip because
he engraved most of the views for Britannia Illustrata, these
important churches/cathedrals are typical of the work, but
few of them actually bear Kip’s name. drawn 1713/.1716
published
1724 in Volume 3 Paper Size (Inches) 20 3/4" x 25 1/2"
Platemark Size (Inches)18 1/8" x 22
7/8" >£125
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The Cathedral
Church of Oxford
by Kip drawn
1713/.1716 published 1724 in Volume
3 Paper Size (Inches) 20 3/4" x 25 1/2" Platemark Size
(Inches)18 1/8" x 22 7/8" £165. for fuller image click on
pic
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page
1 houses click here
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