Genuine Antique Prints & Engravings by Original County . . . .Kent 11


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kent 12
Canterbury


the Proposed improvement between Rochester Bridge and Boley hill
(Bully Hill),
 Antique lithograph by W.Dadson ( fl 1830's) printed by W.Day edge tear/crease/age toned/mark in sky  but very rare app 45 cm across £25 unmounted




The North View of the Cathedral Church of Rochester
Antique copper engraving by Daniel King d. 1664. was a pupil of W.Hollar,-Originally from William Dugdale, Monasticon Anglicanum 1st edn [in Latin] 1655 with engravings mainly by Wenceslaus Hollar and Daniel King. Many of the engravings were reprinted in  Daniel King's, 'The Cathedrall and Conventuall Churches of England and Wales',  1672; so from either of these cut to plate laid  paper  £45 age toned short margins to right edge . .  printed that way



Tomb of Bishop Lowe at Rochester
Antique copper engraving drawn by Fisher engraved by James Basire (1730–1802),from Vetusta Monumenta is the title of a published series of illustrated antiquarian papers on ancient buildings, sites, and artefacts, mostly those of Britain, published at irregular intervals between 1718 and 1906 by the Society of Antiquaries of London. The folio sized papers, usually authored by members of the society, were first published individually, and then later in collected volumes.£35 inc folio size




Tomb of Bishop Lowe at Rochester 2
Antique copper engraving drawn by Fisher engraved by James Basire (1730–1802),from Vetusta Monumenta is the title of a published series of illustrated antiquarian papers on ancient buildings, sites, and artefacts, mostly those of Britain, published at irregular intervals between 1718 and 1906 by the Society of Antiquaries of London. The folio sized papers, usually authored by members of the society, were first published individually, and then later in collected volumes.£35 inc folio size





Haymo de Hethe Bishop of  Rochester 1352
Antique copper engraving drawn by John Carter engraved by James Basire (1730–1802),from Vetusta Monumenta is the title of a published series of illustrated antiquarian papers on ancient buildings, sites, and artefacts, mostly those of Britain, published at irregular intervals between 1718 and 1906 by the Society of Antiquaries of London. The folio sized papers, usually authored by members of the society, were first published individually, and then later in collected volumes.£45 inc folio size





Rochester cathedral
Great Western Entrance
from John Coney, Views of English Abbeys & Cathedrals. London, 1829.John Coney: John Coney was first apprenticed to an architect but chose to follow a career in the arts. In 1815 he published his first work, a series of eight views of Warwick Castle, drawn and etched by himself. Brought to the attention of the artist and illustrator, James Duffield Harding (1797-1863), in 1815 he employed Coney to work upon a large series of etchings depicting exterior and interior views of the cathedrals and abbey churches of England. This massive project occupied Coney for the following fourteen years and the completed etchings and engravings were published in 1829 under the title of Views of English Abbeys and Cathedrals. SIZE: sheet size: 24 x 18.75 inches; 610 x 480 mm,; image size: 17.25 x 13.75 inches; 440 x 350 mm.£25 ea some edge of page toning



The Entrance to the Library of   Rochester Cathedral
Antique copper engraving drawn by John Carter engraved by James Basire (1730–1802),from Vetusta Monumenta is the title of a published series of illustrated antiquarian papers on ancient buildings, sites, and artefacts, mostly those of Britain, published at irregular intervals between 1718 and 1906 by the Society of Antiquaries of London. The folio sized papers, usually authored by members of the society, were first published individually, and then later in collected volumes.£45 inc folio size dated in plate to 1784** crease top right corner





Rochester Cathedral,

 Antique copper Engraving by William Byrne from drawing by Thomas Hearne   from ANTIQUITIES OF GREAT BRITAIN LLUSTRATED IN VIEWS OF MONASTERIES, CASTLES AND CHURCHES, VOL. II, 1807. Printed by James Phillips, in George-Yard, Lombard Street, and Published by the Proprietors T. Hearne and W. Byrne, London Soft crease to base left £40 rare and for once a nice view



Rochester cathedral NW View

from John Coney, Views of English Abbeys & Cathedrals. London, 1829.John Coney: John Coney was first apprenticed to an architect but chose to follow a career in the arts. In 1815 he published his first work, a series of eight views of Warwick Castle, drawn and etched by himself. Brought to the attention of the artist and illustrator, James Duffield Harding (1797-1863), in 1815 he employed Coney to work upon a large series of etchings depicting exterior and interior views of the cathedrals and abbey churches of England. This massive project occupied Coney for the following fourteen years and the completed etchings and engravings were published in 1829 under the title of Views of English Abbeys and Cathedrals. SIZE: sheet size: 24 x 18.75 inches; 610 x 480 mm,; image size: 17.25 x 13.75 inches; 440 x 350 mm.£15 ea some edge of page toning/ edge tears need a smart framer





 N.W View of Rochester Cathedral
Antique copper engraving  by J.Barlow so presume from his main  published work  1812 by Brightly & Kinnersley, Bungay in Suffolk, from  Rev. E.Blomfield's A Complete and Universal Dictionary.Some staining would clean £25  folio



The West Prospect of the Cathedral Church of Rochester
Antique copper engraving by Daniel King d. 1664. was a pupil of W.Hollar,-Originally from William Dugdale, Monasticon Anglicanum 1st edn [in Latin] 1655 with engravings mainly by Wenceslaus Hollar and Daniel King. Many of the engravings were reprinted in  Daniel King's, 'The Cathedrall and Conventuall Churches of England and Wales',  1672; so from either of these cut to plate laid  paper  £45  short margins . .  printed that way






The West Prospect of the Cathedral Church of Rochester 2
Antique copper engraving by Daniel King d. 1664. was a pupil of W.Hollar,-Originally from William Dugdale, Monasticon Anglicanum 1st edn [in Latin] 1655 with engravings mainly by Wenceslaus Hollar and Daniel King. Many of the engravings were reprinted in  Daniel King's, 'The Cathedrall and Conventuall Churches of England and Wales',  1672; so from either of these cut to plate laid  paper  £35  short margins . .  printed that way Age toned tiped onto paper/ creased




Rochester
Henry IV Part I Act II Scene I

Drawn by F. Grosse esq., engraved by Birrell and published by E. Harding  132 Fleet Street, London, 1 June 1790. p.5  £20 unmounted




 West View of the City of Rochester

Copper engraving Drawn by G.F. Robson, engraved by W. Smith and published by J. Britton. Published in Robson's Picturesque Views of English Cities, 1828. Image Size 21 x 15 cm.  £30 unmounted



Dock Yard Sheerness


Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates £12 mounted





Knowle park

Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates £12 mounted


Maidstone from the Water

Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates £12 mounted




Greenwich hospital


Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates £12 mounted


Ashford

Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates £12 mounted




Canterbury cathedral


Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates £12 mounted



Herne bay

Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates



Hale Place nr canterbury

Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates £12 mounted


Walmer castle

Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates



Minster , Isle of Sheppy

Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates £12 mounted



Dover castle

Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates £12 mounted




Rochester Bridge

Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates £12 mounted



North View of Belvidere nr Brith

Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates £12 mounted




St James Street Dover

Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates




High Street Maidstone

Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates £12 mounted




Sheerness & Fountain Inn

Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates £12 mounted




North Cray Cottage

Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates £12 mounted




Leeds castle

Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates
£12 mounted

£14 mounted tinted



Westgate canterbury

Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates 




Dartford Town

Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates £12 mounted





Canterbury Remains of St Ethelbert's Tower & St Augustine's Monastery

Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates £12 mounted




Dover Castle

Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates £14 mounted tinted



FAVERSHAM /  FEVERSHAM.

 Engraved by John Rogers (1800?-1882)drawn by  William Henry Bartlett. from  "England's Topographer" series of Kent views (London : 1828-1831).
Steel line engraving Image 11 x 15 cm tinted mounted £14




Dover Castle 2

Engraved by William Henshall (fl.1830-1843) drawn by  landscape painter Charles Marshall. From "Select Illustrated Topography of Thirty Miles Round London" (London 1837-1838).Steel line engraving Image 11 x 15 cm  £14 mounted tinted



Rochester Castle
Engraved by William Henshall (fl.1830-1843) drawn by  landscape painter Charles Marshall. From "Select Illustrated Topography of Thirty Miles Round London" (London 1837-1838).Steel line engraving Image 11 x 15 cm  £14 mounted tinted




Dover Castle Roman Pharos

Steel engraving from ‘The Picturesque Beauties of Great Britain’  writen by Thomas Allen published  by George Virtue Illustrated by George . Shepherd & Henry Gastineau.George Virtue. C1830, 1828-30. one of 63 plates £14 mounted tinted


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Canterbury

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