James Gillray... 18th Century.......... politically incorrect satirist. . . .2
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Historical and Descriptive Account of the Caricatures of James Gillray Comprising a Political and Humorous History of the Latter Part of the Reign of George the Third by Thomas Wright and R. H. Evans London: Henry G. Bohn, 1851 Between 1845 and 1851, Henry Bohn published editions of Gillray's works from Gillray's original plates. Over 600 numbered plates were printed back-to-back in two giant atlas folio volumes. . .a good tint ie they date from 1845/51. The third volume was the 'suppressed or gentleman's prints not go ladies viewing etc and as such much scarcer .. . all where possible with a historical description/translation
After failing as a portrait painter, Gillray worked as a freelenace engraver and etcher. After 1782 he started producing political satires, mainly inspired by the conflict between the Whigs and the Tories, the French Revolution and war against Napoleon. Originally his caricatures would have been issued separately, mainly from the print shop of his mistress, Hannah Humphrey, in St. James's Street, London. His eyesight started failing him, causing him to stop work in 1809. Depressed he turned to drink, and in July 1811 Gillray attempted to kill himself by throwing himself out of attic window above Humphrey's shop. He failed, and survived four years of insanity before dying in 1815.
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THE FRIEND OF HUMANITY AND KNIFEGRINDER.—Scene, BOROUGH. Bee. 4th, 1797.


'After the secession of Fox, Sheridan, and the leading Whigs, the Opposition Benches presented a dreary and barren waste. A feeble resistance to the Ministerial measures was indeed maintained by Nicholls and a few others, but the Genius Loci had departed.When a New Luminary ascended the political horizon. The electors of Southwark returned Tierney as their representative to Parliament. He was known to have drawn up the celebrated petition of the Society of the Friends of the People for a reform in the House of Commons, in which the defects of the representation were exposed with consummate skill. He now evinced a compass of information, and practical knowledge of business and its details, which won and secured the attention of the House. His manner was peculiarly calculated to make an impression on a popular audience. He appeared always to treat a subject with the greatest candour, and his elocution was remarkably fluent and easy,* The print of "the Friend Op Humanity And The Knife-grinder," was intended as a graphic illustration of Canning's parody of Southey's Poem entitled " The Widow," and written in English Sapphics, in imitation of the original. See Southey's Poetical Works, vol. ii. p. 141.Published by Hannah Humphrey in 1799 by James Gillray ** Hand Coloured. Trimmed from a larger sheet, narrow top margin..***All shown with the margin against a darker carpet to show borders***This is from the later Bohn Edition of 1849 to 1851 ** £65 post inclusive

L'INFANTERIE FRANCAISE EN EGYPTE&emdash; LE GENERAL ASNE CONVERTED TO IBRAHIM BEY. March }2th, 1799.

The troops in the Egyptian campaign upon asses, a circumstance which could not fail to furnish subject for satire. It seems doubtful whether the commander, or the animal which carries him, is giving the word of command. published by Hannah Humphrey in 1799 by James Gillray ** Hand Coloured. Trimmed from a larger sheet, narrow top margin..***All shown with the margin against a darker carpet to show borders***This is from the later Bohn Edition of 1849 to 1851 ** £65 post inclusive

 

The Three Mr Wiggins's,

published by Hannah Humphrey in 1803 by James Gillray (Montague James Mathew; Francis James Mathew, Viscount Mathew; George Toby Skeffington Mathew) ** Hand Coloured. Trimmed from a larger sheet, narrow top margin..***All shown with the margin against a darker carpet to show borders***This is from the later Bohn Edition of 1849 to 1851 ** £45

'The bear and his leader'

by James Gillray, published by Hannah Humphrey hand-coloured etching, published 19 May 1806 caricature by Gillray, published on the 19th of May, was entitled, " The bear and his leader,"Fox is represented as a bear muzzled and led in a chain by his master, Lord Grenville : he says, " What though I am obliged to dance a bear, a man may be a gentleman for all that ;" Lord Grenville has a cudgel in his hand, inscribed, " Cudgel for disobedient Bears." A paper inscribed, " Rewards for obedient Bears," hangs from his pocket. He calls out, "Don't be afraid of my Bear, Ladies and Gentlemen, I have tamed and muzzled him, and reformed his habits :" " My Bear ever dances to the genteelest of tunes." Lord Sidmouth enacts the part of a blind old fiddler with a wooden leg, and is playing " God save the King " to the dancing of the bear. From his pocket hangs, " Pray remember your poor and old blind Fiddler." Lord Henry Petty, as a monkey, holds the bear's tail with one hand, and a cap in the other, to collect contributions ; he is dancing, at his feet is the ballad, And a begging we will go." One of the bear's feet is on " Sa ira." Behind Lord Sidmouth hangs out a signpost, inscribed "Pro Bono Publico. Superb fine Exhibition at the Bear-Garden, Broad-Bottom Alley. Orpheus charming the Brutes, with a grand accompaniment by Dr. Sangrado." By his side, " Pease Soup, or Bruin's Delight, a Ballet ;" and " Bubble and Squeak, a Duett," an allusion to Lord Grenville's relatives, Sir Watkins William Winn and Mr. Charles Winn, so nick -named. The insinuation intended to be conveyed by Gillray in this print is, that Fox having owed his introduction to office to Lord Grenville, to whom the King had given a carte blanche to form an Administration, was thereby reduced to subordination to that Nobleman. The constitution of the Cabinet, and the measures adopted by the new Ministers, particularly the mode of opening the negotiation for peace with Franco, and the frank and conciliatory spirit in which it was conducted, proved that Fox's genius was in the ascendant. Fox loved to take counsel with his colleagues on terms of equality ; he would not have brooked a superior. Lord Grenville had the good sense to appreciate the value of his alliance. He was the only man of the party who could, at that time, have led the House of Commons with equal success. It redounds to the honour of the three sections which constituted the Cabinet, that they seem to have acted together with mutual confidence, unalloyed by jealousy,,as long as the health of Fox was spared to share in their deliberations ** Hand Coloured. Trimmed from a larger sheet, narrow top margin..***All shown with the margin against a darker carpet to show borders***This is from the later Bohn Edition of 1849 to 1851 ** £65 post inclusive

 

French democrats surprising the royal runaways'

by James Gillray, published by Hannah Humphrey hand-coloured etching, published 27 June 1791 LOUIS XVI. THE DAUPHIN. MARIE ANTGINETTE. A burlesque upon a very serious event, the arrest of the unfortunate Louis XVI. and his family at Varennes, on the 22nd of June, 1791, after their flight from Paris Gillray emphasizes a physio-psychological contrast between the sinuous (starving) and emaciated bodies of the French revolutionaries who invade the French royal quarters on June 20, 1791 and the pompous, ample, and lethargic physique of the king and queen. But Gillray also indicts the corpulent king and queen who raise their hands in dismay at the unexpected invasion by a revolutionary hoard wearing tricolor cockades. ** Hand Coloured. Trimmed from a larger sheet, narrow top margin..***All shown with the margin against a darker carpet to show borders***This is from the later Bohn Edition of 1849 to 1851 ** £65 post inclusive

'The visit to Piccadilly; - or - a Prussian reception'

by James Gillray, published by Hannah Humphrey hand-coloured etching, published 12 July 1792 SIR WATKIN W. WYNN. DUCHESS OF YORK. LADY WYNN.On the reported intrigue between the Prince of Wales and Lady Wynn, and the refusal of the Duchess of York to receive the latter. Lady Wynn was the wife of Sir Watkin W. Wynn, and sister of the Marquis of Buckingham and Lord Grenville. To render the allusion more palpable, she is drawn as a Welch Goat, with a striking likeness of her own face, and the Prince of Wales' feathers on her head. Sir Watkin always took a prominent part in the affairs of the principality. ** Hand Coloured. Trimmed from a larger sheet, narrow top margin..***All shown with the margin against a darker carpet to show borders***This is from the later Bohn Edition of 1849 to 1851 ** £65 post inclusive

Patriots Deciding a Point of Honour! or An exact representation of the Rencontre which took place at Coombe Wood on May 2nd 1807 between Little Paul the Taylor & Sir Francis Goose,

published by Hannah Humphrey in 1807 (hand-coloured etching)BELLENDEN KERB. SIE F. BURDETT. PAULL. COOPER. Upon the duel between Burdett and Paull, arising out of the affairs of the disputed Westminster election. Sir Francis Burdett, depicted as a goose, exclaims " What, must I be out ! and a tailor get into Parliament ! I" " You're a liar ! I never said that I would sit as Chairman at your shopboard ! ! 1" Paull replies, " A liar ! Sir, I'm a tailor and a gentleman, and I must have satisfaction !" Burdett's second, Mr. Bellenden Kerr, is standing behind him with a brace of pistols under his right arm ; Cooper, Paull's second, looking very like Jemmy Jumps, is standing behind Paull with a brace of pistols under his left arm. A post-chaise and four is at a little distance. ** Hand Coloured. Trimmed from a larger sheet, narrow top margin..***All shown with the margin against a darker carpet to show borders***This is from the later Bohn Edition of 1849 to 1851 ** £65 post inclusive

APOTHEOSIS OF THE CORSICAN PHCENIX.

August 2nd, 1808.Gillray has placed the following inscription under this print : &emdash; " When the phoenix is tired of life, he builds a nest upon the mountains, and setting it on fire by the wafting of his own wings, he himself perishes in the flames, and from the smoke of his ashes arises a new phoenix to illuminate the world.The ancients described this fabulous bird, or bird with fabulous attributes ascribed to it, to be the size of an eagle, its head crested with a beautiful plumage, its neck covered with feathers of gold colour, and its eyes sparkling like stars. It is said to live five or six hundred years, and when it has attained this extreme old age, it builds a pile of sweet wood and aromatic gums, which it sets fire to, and consumes itself in the flames. From its ashes it rises again in lusty youth and invigorated strength. A crown is here placed on the head of the Imperial Phoenix, and a " Cordon d'Honneur" round his neck. He has erected a pile, consisting of the countries of Portugal, Spain, France, Algiers, Africa, &c. and has set fire to it. His sparkling eyes survey with satisfaction the flames in which he is enveloped, and has devoted himself to self-immolation. ** Hand Coloured. Trimmed from a larger sheet, narrow top margin..***All shown with the margin against a darker carpet to show borders***This is from the later Bohn Edition of 1849 to 1851 ** £65 post inclusive

MODERN ELEGANCE. A PORTRAIT.

May 22nd, 1795. LADY CHARLOTTE CAMPBELL (NOW LADY CHARLOTTE BURY). Horace Walpole has written on his* impression of this print, " Lady Charlotte Campbell, second daughter of John Duke of Argyll, 1795." Lady Charlotte Campbell is universally allowed to have been one of the most celebrated beauties of the period, to have possessed considerable intellectual acquirements, and the most fascinating manners. ** Hand Coloured. Trimmed from a larger sheet, narrow top margin..***All shown with the margin against a darker carpet to show borders***This is from the later Bohn Edition of 1849 to 1851 ** £65 post inclusive

SKETCH FOR A MONUMENT OF DISAPPOINTED JUSTICE. July 9th, 1806.

LORD ELLENBOROUGH. LORD SIDMOUTH. LORD GRENVILLK. LORD LAUDERDALE. LORD STANHOPE. FIAT JUSTITIA, RUAT CCELUM.the Peers, the Votes of the Bishops, the Opinion of Eleven of the Judges and of Lord Eldon." "Nox GUILTY."Lord Ellenborough is seated on the " Broad-Bottom Cabinet," which is supported by Viscount Sidmouth, Lord Lauderdale and Earl Stanhope. The label of " Viper Drops" is seen in Lord Sidmouth's pocket. In front of Earl Stanhope is " The Catameran of Justice, to blow up all Opposition in spite of wind and tide." Lord Lauderdale is dressed as a Highlander, his bagpipes are by his side, his feet rest on " BRISSOT'S PRINCIPLES OP JUSTICE."* Lord Lauderdale, at the commencement of the Revolution, had eulogized Brissot. Burke, in his Letter to the Duke of Bedford, speaks of " Citizen Brissot and his friend the Earl of Lauderdale." Ten Articles of Impeachment were preferred by the Commons against Lord Melville. The greatest number of Peers who voted on any one article was 135, viz. on the 4th article, on which he was unanimously acquitted. On the second article, 81 pronounced him " not guilty," and 54 pronounced him "guilty" &emdash; majority 27. Among the peers who pronounced him guilty on the second article were the Lord Chancellor Erskine, Lord Chief Justice Ellenborough, Lord Sidmouth, Privy Seal, Lord Stanhope and Lord Lauderdale. On the 12th of June the Lord Chancellor pronounced the judgment of the House of Peers. The Lord Chancellor said, " Henry Viscount Melville, I am to acquaint your Lordship, that you are * Burke, in his preface to his son's translation of Brissot's Address to his Constituents in 1794, says: " The translator of the following work brings forward to the English tribunal of opinion the testimony of a witness beyond all exception. His competence is undoubted. He knows every thing which concerns this Revolution to the bottom. He is a chief actor in all the scenes which he presents. No man can object to him as a Royalist ; the Royal party and the Christian religion never had a more determined enemy. In a word, IT is BRISSOT. It is Brissot, the Republican, the Jacobin, and the Philosopher, who is bronght to give an account of Jacobinism, of Republicanism and of Philosophy." ** Hand Coloured. Trimmed from a larger sheet, narrow top margin..***All shown with the margin against a darker carpet to show borders***This is from the later Bohn Edition of 1849 to 1851 ** £65 post inclusive

 

 


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