He
was born in Chelsea. His father, native of Lanark, was as a
soldier, losing an arm at the Battle of Fontenoy, and was admitted,
first as an inmate, and afterwards as an outdoor pensioner, to Chelsea
Hospital. Gillray started his working life at learning
letter-engraving. This employment,being boring, he travelled for a time
with a company of strolling players. He returned to London as a student
in the Royal Academy, supporting himself by engraving, and probably
issuing a number of caricatures under fictitious names. His
caricatures are almost all in etching, some with
aquatint, a few using stipple . None can correctly be
described as engravings, although this term is often loosely used of
them. Paddy on Horseback, which appeared in 1779, is the
first caricature which is certainly his. Two caricatures on Rodney's
naval victory, issued in 1782, were among the first of the memorable
series of his political sketches.
The name of Gillray's publisher and print seller, Miss Hannah
Humphrey—whose shop was first at 227 Strand, then in New Bond
Street, then in Old Bond Street, and finally in St James's
Street—is personally associated with that of the caricaturist
himself. Gillray lived with Miss (often called Mrs) Humphrey during
most of his working life. He several times thought of marrying her, and
that on one occasion the pair were on their way to the church, when
Gillray said: "This is a foolish affair, methinks, Miss Humphrey. We
live very comfortably together; we had better let well alone." There is
no clear evidence, , to support the stories scandalmongers
invented about their relationship. Gillray's plates were shown in
Humphrey's shop window.His
eyesight
started failing him, causing him to stop work in 1809. Depressed he
turned to drink, and in July 1811 Gillray attempted to kill himself
by throwing himself out of attic window above Humphrey's shop. During
1811 he became mad, although he had
occasional intervals of sanity, when he did his last work. The approach
of madness may have been hastened by his lifestyle. Gillray died on 1
June 1815, and was buried in St James's churchyard, Piccadilly.
A selection of Gillray's cartoons/charicatures appeared in 1818;
but the
first good edition from the original plates was Thomas McLean's, which
was published on quality ragpaper, in 1830. In 1849/1851 Henry George
Bohn put out an edition, from the original plates in a handsome
elephant folio, the coarser sketches—commonly known as the
"Suppressed Plates"—being published in a separate volume.
This is on a poorer paper that can suffer from numerous edge tears as
paper quality was sacrificed for a lighter weight to take the
impressions from an aging plate. . . ie pic may be crisp but unlesss
you watch the paper will be too!
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250. THE FRENCH CONSULAR TRIUMVIRATE, SETTLING THE NEW CONSTITUTION.
Jan. 1st, 1800.
CAMBACERES. LE BRUN. SIETES. BUONAPARTE.On the new French constitution
as compiled by Sieyes, under the direction of Buonaparte. Below, a peep
behind the scenes reveals to us certain imps forging new chains for
France, and for Europe. Some of Gillray's countrymen may have been
hoaxed into the belief that these were true likenesses, but there was
truth in his prophecy that in this "Constitution pour I'Avenir" the
first consul was destined to assume the character of the "grand
monarque." Hand
Coloured. Trimmed from a larger sheet, narrow side margin..***rfom 'The
Genuine
Works of James Gillray, engraved by himself. 2 vols.
1830. ——Illustrative description of the
genuine works of … J. G. [With
a prefatory notice subscribed T. M[’Lean].] ie Thomas McLean
on heavy ragpaper from original plates printed 1830. £95
post inclusive
|
574.
A PETTY PROFESSOR OF MODERN HISTORY, BROUGHT TO LIGHT. March 20th, 1810.
PEOF. SMYTH. A caricature on the well-known and respected Professor of
Modern History in the University of Cambridge.Hand
Coloured. Trimmed from a larger sheet, narrow side margin..***rfom 'The
Genuine
Works of James Gillray, engraved by himself. 2 vols.
1830. ——Illustrative description of the
genuine works of … J. G. [With
a prefatory notice subscribed T. M[’Lean].] ie Thomas McLean
on heavy ragpaper from original plates printed 1830. £95
post inclusive
|
'The bear and his leader'
by James Gillray, published by Hannah Humphrey hand-coloured etching,
published 19 May 1806 caricature by Gillray, published on the 19th of
May, was entitled, " The bear and his leader,"Fox is represented as a
bear muzzled and led in a chain by his master, Lord Grenville : he
says, " What though I am obliged to dance a bear, a man may be a
gentleman for all that ;" Lord Grenville has a cudgel in his hand,
inscribed, " Cudgel for disobedient Bears." A paper inscribed, "
Rewards for obedient Bears," hangs from his pocket. He calls out,
"Don't be afraid of my Bear, Ladies and Gentlemen, I have tamed and
muzzled him, and reformed his habits :" " My Bear ever dances to the
genteelest of tunes." Lord Sidmouth enacts the part of a blind old
fiddler with a wooden leg, and is playing " God save the King " to the
dancing of the bear. From his pocket hangs, " Pray remember your poor
and old blind Fiddler." Lord Henry Petty, as a monkey, holds the bear's
tail with one hand, and a cap in the other, to collect contributions ;
he is dancing, at his feet is the ballad, And a begging we will go."
One of the bear's feet is on " Sa ira." Behind Lord Sidmouth hangs out
a signpost, inscribed "Pro Bono Publico. Superb fine Exhibition at the
Bear-Garden, Broad-Bottom Alley. Orpheus charming the Brutes, with a
grand accompaniment by Dr. Sangrado." By his side, " Pease Soup, or
Bruin's Delight, a Ballet ;" and " Bubble and Squeak, a Duett," an
allusion to Lord Grenville's relatives, Sir Watkins William Winn and
Mr. Charles Winn, so nick -named. The insinuation intended to be
conveyed by Gillray in this print is, that Fox having owed his
introduction to office to Lord Grenville, to whom the King had given a
carte blanche to form an Administration, was thereby reduced to
subordination to that Nobleman. The constitution of the Cabinet, and
the measures adopted by the new Ministers, particularly the mode of
opening the negotiation for peace with Franco, and the frank and
conciliatory spirit in which it was conducted, proved that Fox's genius
was in the ascendant. Fox loved to take counsel with his colleagues on
terms of equality ; he would not have brooked a superior. Lord
Grenville had the good sense to appreciate the value of his alliance.
He was the only man of the party who could, at that time, have led the
House of Commons with equal success. It redounds to the honour of the
three sections which constituted the Cabinet, that they seem to have
acted together with mutual confidence, unalloyed by jealousy,,as long
as the health of Fox was spared to share in their deliberations ** Hand
Coloured. Trimmed from a larger sheet, narrow top margin..***rom 'The
Genuine
Works of James Gillray, engraved by himself. 2 vols.
1830. ——Illustrative description of the
genuine works of … J. G. [With
a prefatory notice subscribed T. M[’Lean].] ie Thomas McLean
on heavy ragpaper from original plates printed 1830. £75
post inclusive
|

VENUS A LA COQUILLE; OK, THE SWAN-SEA VENUS. March 28th, 1809.
This is said to represent Mrs.
Jones, of Swansea, a celebrated whip, frequently seen in Hyde Park,
driving a curricle. It is a very correct representation both of her
person and costume. One of her attendants is said to have been a
particular favourite. Hand Coloured. Trimmed from a larger
sheet, narrow top margin..***from 'The Genuine
Works of James Gillray, engraved by himself. 2 vols.
1830. ——Illustrative description of the
genuine works of … J. G. [With
a prefatory notice subscribed T. M[’Lean].] ie Thomas McLean
on heavy ragpaper from original plates printed 1830. £75
post inclusive
|

THE NEW DYNASTY; OR, THE LITTLE CORSICAN GARDENER PLANTING A ROYAL
PIPPIN TREE. June 25th, 1807.
COBBETT. SIR F. BURDETT. HOENE TOOKE. LORD MOIRA. NAPOLEON. TALLEYRAND.
LORD GRENVILLE. MARQUIS OF BUCKINGHAM.
Gillray has combined a double satire in this print, one on the late
Ministers for the introduction of the " Catholic Bill," and the other
on the king-making proceedings of Napoleon. On the right of the
spectator is the " Royal Oak." On its top is placed a crown in honour
of its having sheltered Charles II. ; it now bears the goodly fruit of
" Protestant Faith," " Integrity of the Lords," " Independence of the
Commons," and " Liberty of the Press." Lord Howick with the " Whig
Cleaver," the Marquis of Buckingham with a " Broad-Bottom Hatchet," and
Lord Grenville with a " Catholic Cleaver," are labouring to fell the
venerable tree, that is, the British Constitution. Lord Grenville has a
crucifix hanging down his back, indicative of the favours he had
proposed to bestow on the Roman Catholics.* Couktney is placed between
Lord Ellenborongb and Lord Sidmonth. The face presents a striking
resemblance of this most intimate friend of Fox, who was a frequent
visitor at St. Anne's Hill. It is said to be the only portrait of him.
On the left is Napoleon preparing to plant the " Royal Pippin" Tree.
Talleyrand has already dug a hole of sufficient circumference to
receive it; in his coat-pocket is seen "projet pour aggrandiser les
Jardins Imperials." " William the Norman Robber" forms the root of the
tree* The branches bear memorials of "Crooked-backed Richard killed at
Bosworth; Edmund, the fourth son of Edward III.," and other
unfortunates. A crowned head of Lord Moira is placed on the top of the
Royal Pippin Tree, intimating that he claimed to be descended from the
Irish royal race of Ballynahinch. Buonaparte's sword has inscribed on
it " Corsican Grafting Knife." Behind him arc his newly grafted Royal
Pippin Trees in Holland, Saxony, and Wirtemberg, &c. On the
ground are " Grafts of King Pippins for Brentford, Wimbledon, and
Botley.*' The heads of Horne Tooke, Cobbett, and Burdett are
crowned. ** Hand Coloured. Trimmed from a larger sheet,
narrow margin..***rom 'The Genuine
Works of James Gillray, engraved by himself. 2 vols.
1830. ——Illustrative description of the
genuine works of … J. G. [With
a prefatory notice subscribed T. M[’Lean].] ie Thomas McLean
on heavy ragpaper from original plates printed 1830. £75
post inclusiveSOLD
|
DESTRUCTION OF THE FRENCH
GUN-BOATS; OR, LITTLE BONEY AND HIS FRIEND TALLY IN HIGH GLEE. Nov.
22nd, 1803.
TALLEYRAND. BUONAPARTE.
Napoleon rejoicing at the destruction of his own troops. The
callousness with which the Ruler of France looks on the fate of
thousands of his soldiers who perished in snipporting his ambition was
proverbial. It was supposed by some that he looked forward with no
feelings of regret to the immense loss of life which, must attend on
his attempt to effect a landing upon the British shores, as a relief to
him, by checking the military spirit which he had excited to such a
pitch that he could no longer manage it himself.Hand Coloured. Trimmed
from a larger sheet, narrow top margin..***from 'The
Genuine
Works of James Gillray, engraved by himself. 2 vols.
1830. ——Illustrative description of the
genuine works of … J. G. [With
a prefatory notice subscribed T. M[’Lean].] ie Thomas McLean
on heavy ragpaper from original plates printed 1830. £75
post inclusive
|
|

. JOHN
BULL AND THE SINKING FUND:—A
PETTY SCHEME FOR REDUCING THE TAXES, AND PAYING OFF THE NATIONAL DEBT !
February 29th, 1807.MARQUIS OF BUCKINGHAM. LORD ORENVILLE. LORD TEMPLE.
LORD SIDMOUTH. LORD ELLENBOROUGH. LORD H. PETTY. LORD LIVERPOOL. LORD
CASTLEREAGH. CANNING.
John Ball is kneeling on the " Rock of Broad-Bottom'd Security;" on his
back is placed " The Sinking Fund; i.e. Taxations of 42 Millions per
Annum," and the Chancellor of the Exchequer (Lord H. Petty) is standing
upon it, shovelling down guineas to his clamorous adherents. Lord
Grenville, the Marquis of Buckingham and Lord Temple are endeavouring
to catch some. The Duke of Norfolk holds up a punch-bowl inscribed "
The Majesty of the People." Lord Erskine holds up "The Chancellor's
Purse." Lord Moira raises his military hat, with the Prince's feathers
stuck into it—the Duke of Clarence, the " Royal Jordan."
Sheridan, in a harlequin's dress, holds up his cap with his right hand,
and his wand is behind him in his left, &c. &c. John
Bull exclaims, " Toss away! Toss away, my good Boy ! Toss away ! Oh,
how kind it is to ease me of this terrible load !" Lord Henry Petty
answers, " Patience, Johnny! arn't I tossing away as fast as I can ?
Arn't I reducing your taxes to 17s and 6d in the pound ? Why, you ought
to think yourself quite comfortable and easy, Johnny !" On the other
side is seen a broken column overhung by a cypress tree; on the
pedestal is inscribed," Sacred to the Memory of Departed Greatness,"
(Pitt). The ex-Ministers and their friends are lamenting their unhappy
fate, that none of the golden shower descends upon them. Lord
Castlereagh says, "A few scatterings this way would be very acceptable
indeed!" Canning says, " O the Petty cheat! that Sinking Fund was our
invention, and not to have a snack of it at last, oh ! oh !" Vausittart
holds in his hands " Finance Resolutions," and exclaims, "My Sinking
Fund would have cleared it off in half the time." Lord Liverpool is
despairingly holding up his hat. Hand
Coloured. Trimmed from a larger sheet, narrow margin..***from
'The
Genuine
Works of James Gillray, engraved by himself. 2 vols.
1830. ——Illustrative description of the
genuine works of … J. G. [With
a prefatory notice subscribed T. M[’Lean].] ie Thomas McLean
on heavy ragpaper from original plates printed 1830. £85
post inclusive
|

'The keenest sportsman in Broomswell camp, 1803' (William Tuder?)
Hand
Coloured. Trimmed from a larger sheet, narrow margin..***from
'The
Genuine
Works of James Gillray, engraved by himself. 2 vols.
1830. ——Illustrative description of the
genuine works of … J. G. [With
a prefatory notice subscribed T. M[’Lean].] ie Thomas McLean
on heavy ragpaper from original plates printed 1830. £85
post inclusive
|

Introduction of Citizen Volpone & his suite, at Paris..
Having supported the French Revolution, the English politician Charles
James Fox withdrew from Parliament when France declared war on England
in 1797. After the Peace of Amiens in 1802 he went to Paris to research
a history of the "Glorious Revolution" of 1688 and was invited to a
levee at the Tuileries by Napoleon, a meeting satirised here. Unusually
Napoleon is treated kindly: it is Fox, his wife and entourage who are
being ridiculed. Hand
Coloured. Trimmed from a larger sheet, narrow margin..***from
'The
Genuine
Works of James Gillray, engraved by himself. 2 vols.
1830. ——Illustrative description of the
genuine works of … J. G. [With
a prefatory notice subscribed T. M[’Lean].] ie Thomas McLean
on heavy ragpaper from original plates printed 1830. £85
post inclusive
|

Elements of Skateing
Hand Coloured. Trimmed from a larger sheet, narrow
margin..***from 'The
Genuine
Works of James Gillray, engraved by himself. 2 vols.
1830. ——Illustrative description of the
genuine works of … J. G. [With
a prefatory notice subscribed T. M[’Lean].] ie Thomas McLean
on heavy ragpaper from original plates printed 1830. £65
post inclusive
|

An Illustrious Character
Hand Coloured. Trimmed from a larger sheet, narrow
margin..***from 'The
Genuine
Works of James Gillray, engraved by himself. 2 vols.
1830. ——Illustrative description of the
genuine works of … J. G. [With
a prefatory notice subscribed T. M[’Lean].] ie Thomas McLean
on heavy ragpaper from original plates printed 1830. £65
post inclusive
|

199. SHRINE AT ST. ANNE'S HILL. May 26th, 1798.
NICHOLLS. TIEENEY. LOUD LAUDERDALE. DUKE OF BEDFORD. DUKE OF NORFOLK.
MARQUIS OF LANSDOWNE. POX. Fox is kneeling before the busts of
Robespierre/Egalite, and Buonaparte. A Tablet is placed on the
democratic altar, on which is inscribed " Droit De L'homme," a
Political Parody on the Decalogue, the Sixth, Seventh, and Eighth
Articles may be taken as a specimen—VI. " Right to Kill;" VII.
"Right to commit Adultery; VIII. "Right to Plunder." Nicholls, the Duke
of Norfolk, and others, as stated in the above title, are represented
as harpies, &c. hovering around.Published by
Hannah Humphrey in
1799 by James Gillray ** Hand Coloured. Trimmed
from a
larger sheet, narrow top margin..***All shown with the margin
against a darker carpet to show borders***This is from the later
Bohn Edition of 1849 to 1851 ** £75 post
inclusive water mark to page edge two slightly differing colourings of
this
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376. MARGARET'S GHOST. March 25th, 1791.
MISS GUNNING, MRS. GUNNING, AND MISS MARGARET MINIFIE.Mrs. Gunning was
accused of having attempted to bring about a marrige of her daughter
with the Marquis of Blandford, son of the Duke of Marlborough, and the
subject was much talked and written about in the fashionable world at
this time.Gillray has laid the scene of this print in Miss Gunning's
bedroom. Miss Gunning is lying ill in bed ; her mother is seated by her
bedside. Her aunt, Miss Margaret Minifie is introduced as " Margaret's
Grimly Ghost;" her terrific appearance has struck consternation into
the fair invalid, and frightened Mrs. Gunning from her propriety; by a
sudden start she has overturned a bottle of brandy, placed by her side
to soothe her sorrows. Mrs. Gunning says, " I was sitting by the
bedside of my smiling-injuredinnocent lambkin, and holding one of the
sweet-tender hands of my amiablo-gentle-dovclike cherub, when her aunt
came into the room, with a face paler than ashes —'What is the
matter, Auntee Peg/ says my chaste, adorable,
kind-beneficent-enchanting-heart-feeling-beneficent-paragon of
goodness, "What's the matter, Auntee Peg, what makes you put on such a
long face V " This absurd accumulation of foolish expressions of
fondness is taken almost literally from passages in Mrs. Gunning's
letter to the Duke of Argyll. Again," He broke upon us the
dishonourable-infamous-impudent-false accusations, and the cruel, most
cruel messages that accompanied them, at that moment a vow issued from
my torn, my rent, my wounded, my agonized, my suffering heart, and my
dear, divine, glorious, arch-angelic angel said," &c. &c. This
alludes to General Gunning's accusation of his daughter.ublished by
Hannah Humphrey in
1799 by James Gillray ** Hand Coloured. Trimmed
from a
larger sheet, narrow top margin..***All shown with the margin
against a darker carpet to show borders***This is from the later
Bohn Edition of 1849 to 1851 ** £45 post
inclusive
|
more McLean Gillrays back pages more to follow
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