Etchings
signed in Pencil by the
artist ie Artist's Proofs
under a
£100. . . . . .for those signed in
plate only click here
. . . . . .for
those of non uk
subjects/artists only click
here
**Payment
is via Paypal if
other methods are preferred please contact the shop directly we
take most cards, cheques etc**
All
prices are postage inclusive if
over £25 and are all sold VAT inclusive.......Any
print will
be reserved upon receiving an email and kept for a week to allow a
cheque to
arrive...
Etchings
are prints which are made by
scratching a design in a film of resin that covers a metal plate,
usually copper. The plate is then placed in an acid bath which eats
away at the exposed copper, creating grooves to hold ink. In the
nineteenth century, the technique appealed to painters because they
could draw freely and quickly in the resin film with a needle and
were able to produce prints without the assistance of a
professional printer.
Lukasz ROGINSKI,/ Łukasz Rogiński 1
(Active by 1960 to c 1990 ) Polish Printmaker. Worked: Poland. Linocuts
and etchings; large Circular signed etching Framed
£105 posted unglazed sorry pics for these taken in electric
light hence the pink tone Due to the fact they are very light
frames******these will be sent unframed as the frame style
is unsuited to posting
Lukasz ROGINSKI, 2
(Active by 1960 to c 1990 ) Polish Printmaker. Worked: Poland. Linocuts
and etchings; large Circular signed etching Framed
£105
Lukasz ROGINSKI, 3
(Active by 1960 to c 1990 ) Polish Printmaker. Worked: Poland. Linocuts
and etchings; large Circular signed etching Framed
£105
Bernard Eyre Walker 1887 - 1972 Scottish artist.
St Tropez signed proof etching Slight ripple to print
£95 inc framed
JR Hutchinson signed
etching in colours of Bruges
. He seems to be Bristol based from the subject matter of most plates
and influenced by Sharland with use of Colour19 x 26.5 cm plus title
and border £95 inc
photographed through filthy glass. . . eventually I will learn
David Moore 1943 Exeter Quay
Nice harbour scene Reframed remounted now cleaned
£95 inc slight age toning
Gerald Burn, (English) 1862 - 1945. Venice Barges
Signed in pencil by the artist. Gerald Maurice
Burn. A painter in oil and water-colour of marine and architectural
subjects. Born in London on 1st April 1862. Studied art at South
Kensington, also in Cologne, Dusseldorf, Antwerp and Paris. Exhibited
at leading London galleries from 1881, mainly the R.A., R.B.A. Lived at
Amberley in Sussex £85 inc delivery slight age toning
Paul Casberg 'The Bumblebee'. /Die Hummel. . terrier
Drypoint etching from 1925 folio Hundepack by Berlin graphic
artist Paul Casberg, also responsible for the deasign of various
militaria . The folio was Hundepack// dog pack. a set of 10
original etchings. Introduction by Max
Osborn. Berlin, 37.5 x 29 cm. stunning
dog representations many appear dark in the pics as difficult to do a
compressed pic £48 each inc delivery
Paul Casberg 'The French Bulldog/ Franzosischer Bulli
Drypoint etching from 1925
folio Hundepack by Berlin graphic artist Paul Casberg, also
responsible for the deasign of various militaria . The folio
was
Hundepack// dog pack. a set of 10 original etchings.
Introduction by
Max Osborn. Berlin, 37.5 x 29 cm.
stunning dog representations many
appear dark in the pics as difficult to do a compressed pic
£48 each
inc delivery
Paul Casberg 'TheBulldog/
Drypoint etching from 1925
folio Hundepack by Berlin graphic artist Paul Casberg, also
responsible for the deasign of various militaria . The folio
was
Hundepack// dog pack. a set of 10 original etchings.
Introduction by
Max Osborn. Berlin, 37.5 x 29 cm.
stunning dog representations many
appear dark in the pics as difficult to do a compressed pic
£48 each
inc delivery
Paul Casberg 'Three Dachshounds
Drypoint etching from 1925
folio Hundepack by Berlin graphic artist Paul Casberg, also
responsible for the deasign of various militaria . The folio
was
Hundepack// dog pack. a set of 10 original etchings.
Introduction by
Max Osborn. Berlin, 37.5 x 29 cm.
stunning dog representations many
appear dark in the pics as difficult to do a compressed pic
£48 each
inc delivery
Paul Casberg 'The Dobermann
Drypoint etching from 1925
folio Hundepack by Berlin graphic artist Paul Casberg, also
responsible for the deasign of various militaria . The folio
was
Hundepack// dog pack. a set of 10 original etchings.
Introduction by
Max Osborn. Berlin, 37.5 x 29 cm.
stunning dog representations many
appear dark in the pics as difficult to do a compressed pic
£48 each
inc delivery
Paul Casberg 'The Pekinese
Drypoint etching from 1925
folio Hundepack by Berlin graphic artist Paul Casberg, also
responsible for the deasign of various militaria . The folio
was
Hundepack// dog pack. a set of 10 original etchings.
Introduction by
Max Osborn. Berlin, 37.5 x 29 cm.
stunning dog representations many
appear dark in the pics as difficult to do a compressed pic
£48 each
inc delivery
Paul Casberg 'The Lurcher ? Afghan Hound
Drypoint etching from 1925
folio Hundepack by Berlin graphic artist Paul Casberg, also
responsible for the deasign of various militaria . The folio
was
Hundepack// dog pack. a set of 10 original etchings.
Introduction by
Max Osborn. Berlin, 37.5 x 29 cm.
stunning dog representations many
appear dark in the pics as difficult to do a compressed pic
£48 each
inc delivery
Paul Casberg 'Terrier
Drypoint etching from 1925
folio Hundepack by Berlin graphic artist Paul Casberg, also
responsible for the deasign of various militaria . The folio
was
Hundepack// dog pack. a set of 10 original etchings.
Introduction by
Max Osborn. Berlin, 37.5 x 29 cm.
stunning dog representations many
appear dark in the pics as difficult to do a compressed pic
£48 each
inc delivery
Alice Grant etching entitled
Dedham
exhibited 1881 to 1907 of some substance as hung at
the
Royal Academy 31 timesOriginal frame 20 x 14.5 cm image
£65 framed inc delivery
WILFRED HUGGINS (Exh. 1912-1928)
Pencil signed etching in colours of Italy
perfect condition
Image 44 x 28 cm . . . seems to be an underated artist, unmounted £85
North Gable Whitby Abbey
John W King Exh 1893 to 1924 Soft Ground etching
£55 Image 13 x 16 cm page 28 x 38 cm ,Tooley's
Blindstamp
Retired to Scarborough and exhibited there in 1924 so these must
date from then, never framed from a folio so mint / full page
etc
North Aisle Whitby Abbey
John W King Exh 1893 to 1924 Soft Ground etching
£55 Image 13 x 16 cm page 28 x 38 cm , Tooley's
Blindstamp
Retired to Scarborough and exhibited there in 1924 so these must
date from then, never framed from a folio so mint / full page
etc
St
William's College, York
John W King Exh 1893 to 1924 Soft Ground etching
£55 Image 13 x 16 cm page 28 x 38 cm Tooley's
Blindstamp
Retired to
Scarborough and exhibited
there in 1924 so these must date from then, never framed from
a folio so mint / full page
etc
Douglas
Ion Smart etching of a Thames Side Jetty
1917 Douglas
Ion Smart ( born 1879 ) Douglas Smart was born in
Hammersmith,
London, the son of the painter Charles Ion Smart. He studied at the
Royal College of Art, London. His subject matter was mostly confined to
landscapes scenes in England, France, Spain and Italy, and particularly
river scenes. The River Thames, beside which he lived most of his life,
was a frequent source of inspiration. etching of a Jetty
dated
1917
33 x 20.5 cm laid to board
£55
Douglas Ion Smart etching
of a Thames Side Scene
Douglas Ion Smart ( born 1879 ) Douglas Smart was born in
Hammersmith,
London, the son of the painter Charles Ion Smart. He studied at the
Royal College of Art, London. His subject matter was mostly confined to
landscapes scenes in England, France, Spain and Italy, and particularly
river scenes. The River Thames, beside which he lived most of his life,
was a frequent source of inspiration. etching of c 1917
Image 30 x 20.5 cm framed and glazed ( modern Hogarth)
£95 inc delivery
Wilfred Crawford Appleby etching
Birmingham University
By Wilfred Crawford Appleby/Wilfred C. Appleby
b.1889. One of a set of 'Appleby etchings' commisssioned and published
by Tilde Thurber Company in 1927. The five views are the Van Wickle
Gate, The soldiers Memorial gate all with the University seal lower
left corner/. Printed for the University £95 inc deliv
cheaper collected. Image 37 x 22 cm plus margine etc in a
black
early frame
K.Vernon etching 17 Fleet street
Built in 1610, it is believed that the elder son of James I, Prince
Henry (who died of illness in 1612, leaving the future Charles I as
heir) used the first floor room as a Council Chamber. The building was
originally the Prince’s Arms tavern, but was renamed as the
Fountain sometime during the 17th century, probably about 1640. The
first floor room is now known as Prince Henry’s Room and open
as
a Museum £85 inc delivery
Clayton Mills ( Sussex )
drypoint etching
dated 1906 by
A.S.Cooke signed in plate nice semi industrial
treatment of the windmill £55 large 25.5 x 20
cm
St James palace London Pencil signed etching
by David law
Size 14 x 23 cm with narrow margins to plate
edge approx 1cm,
faint marking, unmounted £45
David Law, 1831-1901 Nationality:
Scottish David Law
was a watercolour painter and etcher. He was the father of the
watercolour landscape painters Annie and Beatrice Law. Law, who
specialised in landscape painting, studied at the Trustees Academy
in Edinburgh from 1845 to 1850. He was an active exhibitor, showing
at the Royal Academy, Royal Institute of Painters, Royal Society of
Painter-Etchers and Engravers, Society of British Artists, Fine Art
Society, Dowdeswells Galleries, Agnew and Sons Gallery and Dudley
Gallery. He also exhibited at the Royal Scottish Society of
Painters in Water Colours, Royal Hibernian Academy, Glasgow
Insitute of the Fine Arts, Royal Society of Artists in Birmingham,
Manchester City Gallery and Walker Art Gallery in Liverpool. He
entered membership of the Royal Society of Painter-Etchers and
Engravers in 1881. In 1884 he was elected a member of the Society
of British Artists
Yealmpton Devon , The Wood behind the World
., Devon
Pencil signed etching by Ada Galton. signed
A Galton 1906 Size
19 x 34.5 cm full page unmounted £40
Dartmoor Rock , Devon
Pencil signed etching by T Rotts or Trotts
dated 1983 Size 30 x
24.5 cm full page unmounted £25
Hilltop on Dartmoor, Devon
Pencil signed etching by T Rotts or Trotts
dated 1983 Size 30 x
28 cm full page unmounted £25
Shelly Beach Exmouth, Devon
Pencil signed etching by Sue Western dated
1982 Size 38 x 29 cm
full page unmounted £30
Exmouth, Devon
Pencil signed etching by Sue Western dated
1982 Size 38 x 29 cm
full page unmounted £30
Stepcote Hill Exeter, Devon
Pencil signed etching by W.H.Sweet / Walter
Henry SWEET
(1889-1943) Size 40 x 25 cm full page unmounted £55
A West country artist who painted
street scenes,
moorland views and seascapes. Born in Clovelly on 11th April 1889
and studied at Exeter School of Art under the guidance of his
friend John Shapland. He worked locally and exhibited at the Devon
and Exeter Annual Exhibition at the Elands Gallery in the early
1900's
Dartmouth Devon
Pencil signed etching by Reginald H.
SMALLRIDGE . .He had a
studio in Looe, Cornwall in the late 1930s, many seem to be 1937 to
1938 Size 19 x 25 cm full page unmounted £55
Flag Steps Hawkshead, Cumbria
Pencil signed etching by c'OXXXXX ie
squiggle very detailed
quality etching mounted Size 16 x 10 cm full page £35
St Mary's Bramber
Pencil signed etching by l.H Bloares (
indecipherable squiggles
again ) mounted Size 16 x 10 cm full page £25
Church Street Barmouth, Devon
Pencil signed etching by A.Godwin Size 16 x
10 cm full page
unmounted £15 c 1930
Andrew Watson TURNBULL, (1874-?)
St John's Cambridge . . unusual view from
the Cam. Mounted and
matted £95
William Monk: (Chester,
1863 - London, 1937)
Attributed due to skill and similarity
Labelled as Manchester 2
miles published by Thos Agnew 1890 £75
He first studied art in his native Chester
at Albion House, then
completed his education at the Royal Academy in Antwerp. He created
slightly over one hundred original etchings during his career: most
being views of London, New York, Eton, Winchester and Durham. He
was elected a full member of the Royal Engravers in 1899. Museums
that purchased his etchings and paintings in the early twentieth
century include the British Museum, the Victoria and Albert Museum
and the War Museum, London.
19th century Victorian era etchers
and engravers often
pulled a select number of impressions before the plate was printed
for the regular edition with the title. The Remarque is a small
sketch which appears in the lower margin. Because of their early
fine printings, Remarque impressions are always the most sought
after.
Jack Copeland 1930
The Millpool@ Caversham Mill . . a nice Deco
influenced view,
clean having beeen ex folio rather than framed £65
unmounted
Henry Wilkinson
, born 1921. An engraver very
often of sporting subjects. Born in Bath in Somerset, his Father
having been taught to paint by John Ruskin, eventually became the
Headmaster of Winchester College of Art. It was whilst living in
Winchester that the young Wilkinson learned the first skills of Gun
Making, climbing out of the scullery window in the evenings to
work, unknown to his farther, at the famous gunmakers 'Hamond of
Winchester'. It was at Hammonds that he first became fascinated by
engraving, learning from the craftsmen who decorated the metalwork
on the hand-made firearms. Today Henry Wilkinson is one of the last
remaining qualified Muzzle Loading' gun maker in the country
Following his early studies at Winchester
College of Art,
entrance was gained to the Royal College of Art in the Painting
School. By hard work a place was also gained in the Engraving
School, under Robert Austin R.A. and Malcolm Osbourne MA. MBE,
where he won the Royal British Institute Scholarship in Engraving.
This gave him extra time at the college and enabled him to gain a
traveling scholarship, as well as the diplomas. Study in
Heidelberg, France and Italy followed. After the War he was elected
to the Royal Society of Painters, Etchers & Engravers,
ultimately as a counselor.
For many years he was professor of the
Engraving School at the
City and Guilds of London, a consultant to the Morris Singer Bronze
Founders and a council member of the Royal Society of Painter
Etchers. These appointments he has now relinquished.
While a student at the Royal College of
Art Wilkinson was
introduced to Harold Dickins by Sir Walter Lamb secretary to the
R.A.. Dickins then introduced Wilkinson to George Vernon Stokes the
famous canine artist and engraver, Wilkinson then helped Stokes
print his editions until his death in 1954. It was only then that
Wilkinson began to produce his original drypoints of Dogs and other
Sporting Subjects. From origination, to hand engraving his metal
plates and eventually printing and finishing the editions, the work
is entirely his own. He even produces his own printing inks.
Etchings . 110 x 100mm £195 each
Johnstone BAIRD,fl.1910 to 1930 £85
Langdale Pikes Windermere
Born in Ayrshire. Painter and etcher.
Studied Glasgow School of
Art. Naval architect with the Admiralty 1917-19. Travelled widely
on the Continent. Exhibited 1910-30.Died 1935
Johnstone BAIRD,fl.1910 to 1930 £85
? Near ??????
Born in Ayrshire. Painter and etcher.
Studied Glasgow School of
Art. Naval architect with the Admiralty 1917-19. Travelled widely
on the Continent. Exhibited 1910-30.Died 1935
Tomás FABREGAT GARCIA, (XX)
Etching or woodblock in colours old
repaired tear to top edge and int sky area , signed in pencil
£40
WALLACE'S CRADLE AND THE WELL-HOUSE etching proof by Louis,
Weirter, 1873-1923;
Edinburgh Castle (Edinburgh, Scotland) Published as a folio
of 100 copies signed in pencil with history ( since lost)
London : G. G. Harrap & Co.Born in Edinburgh, Scotland, 1873
Died in London, England, 12 January 1932.Somewhat confusingly, his
paintings bear the signature "Louis Weirter," while many of his his
later etchings are signed "Louis Whirter." . . ie around
first world war when the royal family beacame 'Windsor's'
This is signed Weirter. The published book was of 16 collotypes and
an etched frontispiece by the author ie cheaper to produce. In
original gilt frame Cheaper of course to collect and sent to the US
minus glass £85
, SIR FRANCIS SEYMOUR HADEN
(1818-1910), English surgeon
and etcher, was born in London on the 16th of September 1818, his
father, Charles Thomas Haden, being a well-known doctor and amateur
of music. He was educated at University College school and
University College, London, and also studied at the Sorbonne,
Paris, where he took his degree in 1840. He was admitted as a
member of the College of Surgeons in London in 1842. Besides his
many-sided activities in the scientific world, during a busy and
distinguished career as a surgeon, he followed the art of original
etching with such vigour that he became not only the foremost
British exponent of that art but was the principal cause of its
revival in England. By his strenuous efforts and perseverance,
aided by the secretarial ability of Sir W. R. Drake, he founded the
Royal Society of Painter-Etchers and Engravers. As president he
ruled the destinies of that society with a strong hand from its
first beginnings in 1880. In 1843-1844, with his friends Duval, Le
Cannes and Col. Guibout, he had travelled in Italy and made his
first sketches from nature. Haden attended no art school and had no
art teachers, but in 1845, 1846, 1847 and 1848 he studied
portfolios of prints belonging to an old second-hand dealer named
Love, who had a shop in Bunhill Row, the old Quaker quarter of
London. These portfolios he would carry home, and arranging the
prints in chronological order, he studied the works of the great
original engravers, Durer, Lucas van Leyden and Rembrandt. These
studies, besides influencing his original work, led to his
important monograph on the etched work of Rembrandt. By lecture and
book, and with the aid of the memorable exhibition at the
Burlington Fine Arts Club in 1877, he endeavoured to give a just
idea of Rembrandts work, separating the true from the false, and
giving altogether a nobler idea of the masters mind by taking away
from the list of his works many dull and unseemly plates that had
long been included in the lists. His reasons are founded upon the
results of a study of the masters works in chronological order, and
are clearly expressed in his monograph, The Etched Work of
Rembrandt critically reconsidered, privately printed in 1877, and
in The Etched Work of Rembrandt True and False (1895).
Notwithstanding all this study of the old masters of his art,
Hadens own plates are perhaps more individual than any artists, and
are particularly noticeable for a fine original treatment of
landscape subjects, free and open in line, clear and well divided
in mass, and full of a noble and dignified style of his own. Even
when working from a picture his personality dominates the plate, as
for example in the large plate he etched after J. M. W. Turners
Calais Pier, which is a classical example of what interpretative
work can do in black and white. Of his original plates, more than
250 in number, one of the most notable was the large Breaking up of
the Agamemnon. An early plate, rare and most beautiful, is Thames
Fisherman. Mytton Hall is broad in treatment, and a fine rendering
of a shady avenue of yew trees leading to an old manor-house in
sunlight. Sub Tegmine was etched in Greenwich Park in 1859; and
Early MorningRichmond, full of the poetry and freshness of the
hour, was done, the artist has said, actually at sunrise. One of
the rarest and most beautiful of his plates is A By-Road in
Tipperary ; Combe Bottom is another; and Shere Mill Pond (both the
small study and the larger plate), Sunset in Ireland, Penton Hook,
Grim Spain and Evening Fishing, Longparish, are also notable
examples of his genius. A catalogue of his works was begun by Sir
William Drake and completed by Mr N. Harrington (1880). During
later years Haden began to practise the sister art of mezzotint
engraving, with a measure of the same success that he had already
achieved in pure etching and in dry-point. £65 signed to
plate
only
The South
Ambulatory westminster Cathedral £65
signed and titled in pencil
Harry
George Webb exh 1882 to 1914;
Landscape and architecural painter and etcher,Shown at the Royal
Academy 4 times and the Royal society of Etchers 5 times
**For
Non European
Sales please ask as US customs only allow unframed unless sent UPS
and cannot include this postage in
price**
William
Renison exh 1893 to 1938;
Painter, etcher and engraver, Shown at the Royal Academy twice and
the Fine art Society 4 times "Ely cathedra; " ? large format
£85
unframed
Tewksbury Abbey by Edgard James MAYBERY, E
(1887-?) £45 signed
and entitled in pencil
Richmond by xoxson ? £42 etching
claen glass needs removing and
cleaning will do in advance if time allows
Whitefield Clump nr Ringwood by William
Henry CORBIN, (XX) £75
in original frame water mark to bottom of mount NOT pic
North Petherton by Georgina L. DE LISLE,
(XIX) signed in pencil
original frame £48 this artist is normally a miniature painter
Polperro by B M O ??? £35 c 1930
possibly a woodcut
Door at Chichester £15 laid to
board and close cut
Pear Tree Cottage by O Donovan ?? unreadable
signed in pencil
£38
George Gascognie GASCOYNE, (1862-1933)
Farmscene of a Plough
Team Returning Home c 1920's £95
