Etchings.2 .

     Many artists are now on individual pages with Biographies and larger images . . . most will be as time allows . . All here are post inclusive anywhere
 Framed items can only be sent to the US unglazed unless a carrier is used at buyers expense due to US customs restrictions after 9/11 please contact if this is not acceptable

    Full digital images can be sent upon request these are compressed thumbnails... As many signatures are from the medical school of legibility I can send clear scans or digitals of signatures if wished**These are pictured to show any faults ie strong lighting edge nicks unmended they will normally be sent mended but I prefer to show ' warts and all' rather than to mount skillfully and deceive**






Miles Balmford Sharp (1897-1973) The Demolition of Devonshire House, London, 1925
 Dated 1925, drypoint etching, signed, dated, and inscribed to Kenneth Holmes Esq., plate size approx. 180 x 263mm, mounted From the collection of the artist Kenneth Holmes. In early oak frame. Devonshire House in Piccadilly was the London residence of the Dukes of Devonshire in the 18th and 19th centuries. It was built for William Cavendish, 3rd Duke of Devonshire in the Palladian style, to designs by William Kent. Completed circa 1740, it became empty after World War I, and demolishion commenced in 1924 .Miles Balmford Sharp (28 November 1897 – 20 January 1973) was an English artist from Brighouse, Yorkshire. He studied at the Central School of Arts and Crafts. Sharp was a painter in oil paint and water-colour, focusing mainly on landscapes and architecture. Alongside his painting practice Sharp was also a keen etcher, engraver and lithograph artist. Sharp exhibited widely including exhibiting works at the Royal Academy, London, England. Royal West of England Academy and Birmingham Society of Artists. £150 inc delivery




Sunset Machrihanish

William Douglas MACLEOD, (1892-1963) number B8666 Signed proof etching plus original frame label from the artist's original sale in Glasgow £260 inc all perfect etc Hence larger image. Image size 37cm x 27 cm; mounted matted inc




Marion RHODES (1907-1988) A Yorkshire town
Signed proof etching  , 24 cm x 36 cm in a grubby window mount needs a new mount and frame  £110 inc delivery



Walter Klemm ..Otter
 Walther Klemm  (German, 1883-1957)  studied art in Vienna, under Hodler and Amiet. As early as 1903 he began creating both lithographs and woodcuts in Austria's capital city. Here he met and became friends with another influential printmaker, Emil Orlik.  Klemm moved to Prague and then to Dachau. In 1913 he settled permanently in Weimar and became a professor at that city's Art Academy (Weimarer Kunsthochschule). He seems to specialise in very dark woodcuts  as in  this and on Japon paper signed in pencil etc. Newly framed as delicate. Price £320  inc  delivery or cheaper collected sorry for horrid pic will redo!




Auguste Rodin by Arthur Paine Garratt c 1910
Arthur Paine Garratt (1873 - 1955) artist and etcher who was born in Lambeth, Garratt was a portrait painter and engraver who enjoyed considerable success and was commissioned to paint many of the leading people of his time including Rodin. He studied at the City of London School and exhibited from 1899-1919. During the 1920's, he spent several years in New York. . Image size 275 x 225 cm never framed from a folio so mint £225 inc delivery




 

"La Mort et le Bûcheron" (Death and the woodcutter)
Jean François Millet

French artist. A leading member of the Barbizon School, he painted scenes of peasant life and landscapes. The Angelus (1859; Musée d'Orsay, Paris) and The Gleaners (1857; Louvre, Paris) were widely reproduced in his day. Born in Normandy of a peasant family, he went to Paris to study in 1837. After a long struggle to earn a living by painting shepherdesses and nude bathers in the 18th-century style galant, he found his true vein in The Winnower of 1848. He settled at the village of Barbizon 1849, with his second wife and growing family, and there, still in poverty, devoted himself exclusively to the paintings of peasant life for which he is famous, such as The Reapers 1854, The Gleaners 1857, and The Angelus 1859. Mounted in cream all grubbiness removed. This is signed in pencil to the right and named as by Millet to the left, etched by the accomplished French etcher Edmond Hedouin after the Jean-Francois Millet painting. Rare in signed format and later reprinted within  the Gazette des Beaux-Arts. Plate size: 135 x 178mm on wove paper Printed in Paris in 1860  £285 delivered




William MONK (1863-1937) Cliffords Inn
Signed etching Calendarium Londinense, or the London Almanack for 1904, surmounted by a view of Clifford's Inn.£30 due to condition



Johnstone Baird Ist World War Destroyer

Pencil signed drypoiny crease and repair( out to edge of margin) Born in Ayrshire. Painter and etcher. Studied Glasgow School of Art. Naval architect with the Admiralty 1917-19. Travelled widely on the Continent. Exhibited 1910-30.Died 1935 £55 inc delivery unframed from a folio but creased



Etruscan Gateway Perugia by Alfred Hugh FISHER (1867-1945)
This has a presonal dedictaion to George Percy JACOMB-HOOD (1857-1929) who accompanied him to Perugia pencil signed
An etcher, engraver, illustrator and painter, Alfred Hugh Fisher went to the University College Schools, Lambeth School , South Kensington, and then in Paris. He was appointed as an artist to the Visual Instruction Committee of the Colonial Office, which allowed opportunity to travel throughout the British Empire . Etchings and drypoints of New Zealand, India, Burma, Hungary, France and England were published in London by Greatorex in signed editions of forty to one hundred impressions. His etchings were exhibited at the Royal Academy, the R.B.A. and with the Royal Engravers. £125 inc delivery



Hester Frood Jetty from the River ?

Hester Frood (Mrs. Hester Gwynne-Evans)
(1882-1971) (New Zealand, UK). Watercolour painter and etcher. Born in New Zealand. Pupil, friend of D Y Cameron.Etching on japan , not backed so delicate £85 inc delivery



Magdalen Tower Oxford by William Monk c 1910

William Monk (1863 - 1937)

William Monk first studied art in his native Chester at Albion House. He then completed his education at the Royal Academy in Antwerp. In total, William Monk created well over one hundred original etchings during his career: most being views of London, New York, Eton, Winchester and Durham. He was elected a full member of the Royal Engravers in 1899. Stunningly good etching of the tower with a horse drawn log cart to the centrte , gas lighting, pre 1920 32 x 19 cm image large plate size £85 inc delivery




The Mansion House, London
Street scene c 1925 by Fred. A. Farrell [signed in pencil Soft ground Etching. 307 x 256mm. He was a self-taught etcher and watercolourist of portraits and topographical subjects from Glasgow. Exhibited widely including R.A. and Glasgow Institute of Fine Arts. As an etcher he was greatly influenced both stylistically and with advice by Muirhead Bone. Prior to this he studied civil engineering in London. Many are 'Blindstamped " with the Fine Art Trade Guild blind stamp and signed in pencil. Farrell was the Official Artist with the 51st Highlanders 1914-1918 Unframed but tipped on to a paper backing easily removed , very slight toning only discernable in direct sunlight ( just fussy) £260 inc delivery



Franz Revesz-Ferryman 1893-1947
Frances Révész-Ferryman studied in the University of Architecture in Budapest (Hongary) but also studied painting under Walter Sickert (1860-1942) and Frank Brangwyn (1867-1956) in London. From London he emigrated to America in 1923 with his wife and son and went to live in Little Neck, New York. Self Portrait etching from 1921 pencil signed and also dedicated above to Miss Goodwin for New Year, folds to borders where it has been folded for posting slight abrasions to image . . . Rare not listed so may be a personal peice £85 inc postage Image 9 x 12 cm oddly like Van Gogh's portraits

Cecil Aldin : Born 28th April 1870. He was educated at Eastbourne College then Solihull Grammar School. Cecil Aldin's father was a keen amateur artist so Cecil started drawing at a very young age. He studied art at the studio of Albert Moore and then the National Art Training School which later became The Royal College of Art. After this he spent a summer with the fine animal painter and teacher, Frank Calderon.In 1892 he bombarded the illustrated periodicals with his illustrations and thereby started a long association with The Illustrated London News. He was commissioned by The Pall Mall Budget in 1894 to illustrate "The Jungle Book" by Rudyard Kipling.At the invitation of the fine genre painter, Walter Dendy Sadler he stayed at Chiddingstone where he made close friends with Phil May, John Hassall and Lance Thackeray and along with them, Dudley Hardy and Tom Browne they founded the London Sketch Club.The birth of his son and daughter inspired his nursery pictures which together with his large sets of the Fallowfield Hunt, Bluemarket Races, Harefield Harriers and Cottesbrook Hunt prints brought him much popularity. This was enhanced by his ever expanding book and magazine illustrative work. An exhibition in Paris in 1909 was received with much acclaim and extended his fame to a wider audience.He moved to the Henley area as his interest in hunting, horses and dogs increased and in 1910 he became Master of the South Berkshire Hunt as well as being associated with other local packs. ask always many @ the shop

Artist's proof coloured lithograph - 13ins x 15.5ins, titled in pencil to margin , published by Eyre & Spottiswoode London, in oak frame and glazed




Bernard Eyre Walker 1887 - 1972 Scottish artist.
St Tropez signed proof etching Slight ripple to print £95 inc framed


JR Hutchinson signed etching in colours of Bruges
. He seems to be Bristol based from the subject matter of most plates and influenced by Sharland with use of Colour19 x 26.5 cm plus title and border £95 inc photographed through filthy glass. . . eventually I will learn




David Moore
1943 Exeter Quay
Nice harbour scene Reframed remounted now cleaned and newly framed £125 inc slight age toning


Gerald Burn, (English) 1862 - 1945. Venice Barges
Signed in pencil by the artist. Gerald Maurice Burn. A painter in oil and water-colour of marine and architectural subjects. Born in London on 1st April 1862. Studied art at South Kensington, also in Cologne, Dusseldorf, Antwerp and Paris. Exhibited at leading London galleries from 1881, mainly the R.A., R.B.A. Lived at Amberley in Sussex £85 inc delivery slight age toning



Paul Casberg 'TheBulldog/
Drypoint etching from 1925 folio Hundepack by Berlin graphic artist Paul Casberg, also responsible for the deasign of various militaria . The folio was Hundepack// dog pack. a set of 10 original etchings. Introduction by Max Osborn. Berlin, 37.5 x 29 cm. stunning dog representations many appear dark in the pics as difficult to do a compressed pic £48 each inc delivery x 2


Paul Casberg 'Three Dachshounds

Drypoint etching from 1925 folio Hundepack by Berlin graphic artist Paul Casberg, also responsible for the deasign of various militaria . The folio was Hundepack// dog pack. a set of 10 original etchings. Introduction by Max Osborn. Berlin, 37.5 x 29 cm. stunning dog representations many appear dark in the pics as difficult to do a compressed pic £48 each inc delivery


Paul Casberg 'The Dobermann
Drypoint etching from 1925 folio Hundepack by Berlin graphic artist Paul Casberg, also responsible for the deasign of various militaria . The folio was Hundepack// dog pack. a set of 10 original etchings. Introduction by Max Osborn. Berlin, 37.5 x 29 cm. stunning dog representations many appear dark in the pics as difficult to do a compressed pic £48 each inc delivery x 2

Paul Casberg 'The Pekinese
Drypoint etching from 1925 folio Hundepack by Berlin graphic artist Paul Casberg, also responsible for the deasign of various militaria . The folio was Hundepack// dog pack. a set of 10 original etchings. Introduction by Max Osborn. Berlin, 37.5 x 29 cm. stunning dog representations many appear dark in the pics as difficult to do a compressed pic £48 each inc delivery x 2


Paul Casberg 'French Bulldog / Terrier ??
Drypoint etching from 1925 folio Hundepack by Berlin graphic artist Paul Casberg, also responsible for the deasign of various militaria . The folio was Hundepack// dog pack. a set of 10 original etchings. Introduction by Max Osborn. Berlin, 37.5 x 29 cm. stunning dog representations many appear dark in the pics as difficult to do a compressed pic £48 each inc delivery




Alice Grant etching entitled Dedham
exhibited 1881 to 1907 of some substance as hung at the Royal Academy 31 timesOriginal frame 20 x 14.5 cm image £65 framed inc delivery


North Gable Whitby Abbey
John W King Exh 1893 to 1924 Soft Ground etching £55 Image 13 x 16 cm page 28 x 38 cm ,Tooley's Blindstamp
Retired to Scarborough and exhibited there in 1924 so these must date from then, never framed from a folio so mint / full page etc


North Aisle Whitby Abbey
John W King Exh 1893 to 1924 Soft Ground etching £55 Image 13 x 16 cm page 28 x 38 cm , Tooley's Blindstamp
Retired to Scarborough and exhibited there in 1924 so these must date from then, never framed from a folio so mint / full page etc




St William's College, York
John W King Exh 1893 to 1924 Soft Ground etching £55 Image 13 x 16 cm page 28 x 38 cm Tooley's Blindstamp .Retired to Scarborough and exhibited there in 1924 so these must date from then, never framed from a folio so mint / full page etc



Douglas Ion Smart etching of a Thames Side Scene

Douglas Ion Smart ( born 1879 ) Douglas Smart was born in Hammersmith, London, the son of the painter Charles Ion Smart. He studied at the Royal College of Art, London. His subject matter was mostly confined to landscapes scenes in England, France, Spain and Italy, and particularly river scenes. The River Thames, beside which he lived most of his life, was a frequent source of inspiration. etching of c 1917 Image 30 x 20.5 cm framed and glazed ( modern Hogarth) £95 inc delivery  not in pink iddiot used flash !



Wilfred Crawford Appleby etching Birmingham University

By Wilfred Crawford Appleby/Wilfred C. Appleby
b.1889. One of a set of 'Appleby etchings' commisssioned and published by Tilde Thurber Company in 1927. The five views are the Van Wickle Gate, The soldiers Memorial gate all with the University seal lower left corner/. Printed for the University £95 inc deliv cheaper collected. Image 37 x 22 cm plus margine etc in a black early frame



Clayton Mills ( Sussex )
drypoint etching dated 1906 by A.S.Cooke signed in plate nice semi industrial treatment of the windmill £55 large 25.5 x 20 cm




St James palace London Pencil signed etching by Walter Edwin Law Size 14 x 23 cm with narrow margins to plate edge approx 1cm, faint marking, unmounted £45 W. Edwin Law listed British etcher exhibited; 1910- 1930


Dartmoor Rock , Devon Pencil signed etching by T Rotts or Trotts dated 1983 Size 30 x 24.5 cm full page unmounted £25


Hilltop on Dartmoor, Devon Pencil signed etching by T Rotts or Trotts dated 1983 Size 30 x 28 cm full page unmounted £25


Shelly Beach Exmouth, Devon Pencil signed etching by Sue Western dated 1982 Size 38 x 29 cm full page unmounted £30


Exmouth, Devon Pencil signed etching by Sue Western dated 1982 Size 38 x 29 cm full page unmounted £30


Dartmouth Devon Pencil signed etching by Reginald H. SMALLRIDGE . .He had a studio in Looe, Cornwall in the late 1930s, many seem to be 1937 to 1938 Size 19 x 25 cm full page unmounted £55


Flag Steps Hawkshead, Cumbria Pencil signed etching by c'OXXXXX ie squiggle very detailed quality etching mounted Size 16 x 10 cm full page £35


St Mary's Bramber Pencil signed etching by l.H Bloares ( indecipherable squiggles again ) mounted Size 16 x 10 cm full page £25


Church Street Barmouth, Devon Pencil signed etching by A.Godwin Size 16 x 10 cm full page unmounted £15 c 1930


William Monk
: (Chester, 1863 - London, 1937) Attributed due to skill and similarity Labelled as Manchester 2 miles published by Thos Agnew 1890 £75 He first studied art in his native Chester at Albion House, then completed his education at the Royal Academy in Antwerp. He created slightly over one hundred original etchings during his career: most being views of London, New York, Eton, Winchester and Durham. He was elected a full member of the Royal Engravers in 1899. Museums that purchased his etchings and paintings in the early twentieth century include the British Museum, the Victoria and Albert Museum and the War Museum, London. 19th century Victorian era etchers and engravers often pulled a select number of impressions before the plate was printed for the regular edition with the title. The Remarque is a small sketch which appears in the lower margin. Because of their early fine printings, Remarque impressions are always the most sought after.



Johnstone BAIRD,fl.1910 to 1930 £85 Langdale Pikes Windermere Born in Ayrshire. Painter and etcher. Studied Glasgow School of Art. Naval architect with the Admiralty 1917-19. Travelled widely on the Continent. Exhibited 1910-30.Died 1935

Tomás FABREGAT GARCIA, (XX) Etching or woodblock in colours old repaired tear to top edge and int sky area , signed in pencil £40


  , SIR FRANCIS SEYMOUR HADEN (1818-1910), English surgeon and etcher, was born in London on the 16th of September 1818, his father, Charles Thomas Haden, being a well-known doctor and amateur of music. He was educated at University College school and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. Besides his many-sided activities in the scientific world, during a busy and distinguished career as a surgeon, he followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but was the principal cause of its revival in England. By his strenuous efforts and perseverance, aided by the secretarial ability of Sir W. R. Drake, he founded the Royal Society of Painter-Etchers and Engravers. As president he ruled the destinies of that society with a strong hand from its first beginnings in 1880. In 1843-1844, with his friends Duval, Le Cannes and Col. Guibout, he had travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but in 1845, 1846, 1847 and 1848 he studied portfolios of prints belonging to an old second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. These portfolios he would carry home, and arranging the prints in chronological order, he studied the works of the great original engravers, Durer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he endeavoured to give a just idea of Rembrandts work, separating the true from the false, and giving altogether a nobler idea of the masters mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons are founded upon the results of a study of the masters works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Notwithstanding all this study of the old masters of his art, Hadens own plates are perhaps more individual than any artists, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J. M. W. Turners Calais Pier, which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large Breaking up of the Agamemnon. An early plate, rare and most beautiful, is Thames Fisherman. Mytton Hall is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. Sub Tegmine was etched in Greenwich Park in 1859; and Early MorningRichmond, full of the poetry and freshness of the hour, was done, the artist has said, actually at sunrise. One of the rarest and most beautiful of his plates is A By-Road in Tipperary ; Combe Bottom is another; and Shere Mill Pond (both the small study and the larger plate), Sunset in Ireland, Penton Hook, Grim Spain and Evening Fishing, Longparish, are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Mr N. Harrington (1880). During later years Haden began to practise the sister art of mezzotint engraving, with a measure of the same success that he had already achieved in pure etching and in dry-point. £65 signed to plate only


The South Ambulatory westminster Cathedral £65 signed and titled in pencil Harry George Webb exh 1882 to 1914; Landscape and architecural painter and etcher,Shown at the Royal Academy 4 times and the Royal society of Etchers 5 times
**For Non European Sales please ask as US customs only allow unframed unless sent UPS and cannot include this postage in price**

William Renison
exh 1893 to 1938; Painter, etcher and engraver, Shown at the Royal Academy twice and the Fine art Society 4 times "Ely cathedra; " ? large format £85 unframed


Tewksbury Abbey by Edgard James MAYBERY, E (1887-?) £45 signed and entitled in pencil


Richmond by xoxson ? £42 etching claen glass needs removing and cleaning will do in advance if time allows

North Petherton by Georgina L. DE LISLE, (XIX) signed in pencil original frame £48 this artist is normally a miniature painter


Polperro by B M O ??? £35 c 1930 possibly a woodcut


Door at Chichester £15 laid to board and close cut


Pear Tree Cottage by O Donovan ?? unreadable signed in pencil £38


George Gascognie GASCOYNE, (1862-1933) Farmscene of a Plough Team Returning Home c 1920's £95




. .Other Pages    Etchings page 1Etchings Page 2Etchings |  Page 3 |   Etchings Winifred AustenEtchings Muirhead Bone |  Etchings Maud Earl |    Etchings Meyer Eberhardt   | Etchings  FullwoodEtchings  Hedley FittonEtchings  Rowland Langmaid etc Etchings  Tushingham  |  Etchings Wyllie,   |



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