Ernest
Herbert Whydale 1886 to 1952
rural
scenes of the
30's
|
Many
artists are now
on individual pages with Biographies and larger images . . . most
will be as time allows . . All here are post inclusive
anywhere
Framed
items can only be sent to the
US unglazed unless a carrier is used at buyers expense due to US
customs restrictions after 9/11 please contact if this is not
acceptable
Full
digital images can be
sent upon request these are compressed thumbnails... As many
signatures are from the medical school of legibility I can send
clear scans or digitals of signatures if
wished
|
Sidney
Tushingham (1884 to1968),
European
and English Rural
scenes of the 30's
|
Frederick
Arthur Farrell (Scottish, 1882to 1935)
|
The Marine
Artists
William
Lionel Wyllie R.A. (1851 to1931)
Lt.Col.
Harold Wyllie OBE, RSMA (1880 to 1975) son
Charles
William Wyllie (1853 to 1923): the younger brother
Rowland
LANGMAID (R.I., R.B.A., A.R.E., R.CAM.A.) (1897 to1956)
pupil
|
Winifred
AUSTEN, RI, RE (1876 to1964)
Bird
Artist
Supreme
|
John
Fullwood 1854 to
1931
Lakeland
and Home Counties
scenes of 1900 to 1920's
|
Eugene
Bejot (1867 to 1931)
mainly
Parisian
Views
|
E.
Hedley Fitton (1859 to 1929)
The
Architectural
expert
|
Maude
Earle . . , Setters etc
|
Kurt
Meyer Eberhardt
|
Edward
Sharland
|
| Etchings
are prints which are made by scratching a design in a film of resin
that covers a metal plate, usually copper. The plate is then placed
in an acid bath which eats away at the exposed copper, creating
grooves to hold ink. In the nineteenth century, the technique
appealed to painters because they could draw freely and quickly in
the resin film with a needle and were able to produce prints
normally without the assistance of a professional printer. |
William
Douglas MACLEOD, (1892 to
1963)
Scottish
etcher . . rural scenes New
added
|
Anton
Lock
English
etcher,illustrator and
watercolourist Anton Lock. Etchings
and original artwork
mostly from Knight of the Woods
1949
Martin
Woodcock
Modern
signed Artist's proof Bird etchings
|
Siamese Cats 1
George Vernon Stokes (1873 - 1954). [ in plate lower left and
signed in pencil lower right].[n.d., c.1930.]
Coloured drypoint etching, 23 of an edition limited to 75,
Framed Glazed in perfect order
£425.00
Siamese Cats 2
George Vernon Stokes (1873 - 1954). [ in plate lower left and
signed in pencil lower right].[n.d., c.1930.]
Coloured drypoint etching, 57 of an edition limited to 75,
Framed Glazed in perfect order £415.00
Size of this means cannot go to the USA in frame and glazed would be
posted on backboard. Has 2000 Bonhams Chelsea
purchase reciept for £435 to verso before framing etc
|
Malcolm Osborne (1880-1963), Spring at Low Grove
farm Ambleside
reframed all now clean, Image 33 x 19 cm plus title and
margins;
An English etcher of landscapes, & portraits, Malcolm Osborne
(1880-1963), studied printmaking techniques under Sir Frank Short, at
South Kensington. When Frank Short retired in 1924, Malcolm Osborne
succeeded as Head of the etching and engraving
school. He was a full member of the Royal Academy and
President of the Royal Engravers. Malcolm Osborne published
his first etching in 1904. By 1940 he had created just over
one hundred etchings, drypoints and aquatints of
landscapes and town scenes plus portraits. Most of his fine
etchings were published by H. C. Dickins in editions ranging
from fifty to one hundred impressions. £285
inc delivered cheaper on collection frame on this new and
substantial
|
Vernon Thomas. . . The Swing
Vernon Thomas ( Mrs) : Born: Evanston, Illinois 1894 An
American
lady etcher kept in the Smithsonian and other galleries; she
specialised in children playing
http://www.americanart.si.edu/collections/search/artwork/results/?id=4783
. Image 10.25 x 7.5
in/25.908x18.796 cm
stuniing scarce deco etching . This is the uncoloured format
, it
was also sold coloured exhibited 1932 . . . . .. . ..
.newly framed £205 inc delivery
|
Eileen A Soper ' The Cricket match on the Sands " 23.5 x 19.5
cm
EILEEN SOPER, RMS SWLA (1905-1990)Pencil signed ETCHING WITH
DRYPOINT ON LAID PAPER, Eileen Alice Soper (1905-1990) born
in
Enfield but lived majority of her life at Harner Green near
Welwyn in Hertfordshire. The daughter of illustrator George Soper, she
was fifteen when first accepted by the Royal
Academy. She
specialised primarily in animals and children, and was a founder member
of the Society of Wildlife Artists. Soper was elected to the Royal
Society of Miniature Painters in 1972. She produced about 180 different
etchings and illustrated many books including "The Famous five" series
by Enid Blyton. £245 freshly framed inc delivery
|
The Poet
etching with drypoint numbered 5/75
titled in pencil ‘The Poet’ signed C.G.Pelavin
1976 . . .Cheryl Pelavin Fine. Arts, New York, owner of
the gallery and print workshop. In business since 1983,
before that doing her own artwork and living in London; also
wrote
and illustrated several books for children. Scarce £125
|
J. LEWIS STANT. North Gate/North Bar
York, ;
Coloured etching on wove paper. Pencil signed. plus
gallery blindstamp In original black lacquered frame
Landscape painter and etcher. Exhibited at the Royal Society of
Artists, Birmingham and also at the R.B.A., R.C.A., R.H.A. and R.S.A He
lived in the Walsall area before moving to St Ives in 1935. He later
lived in Birmingham. He exhibited between 1931 and 1939. £185
inc delivered
cheaper on collection
|
HM Pemberton etching South
African
Vista ? Scotland ?? £165 inc delivery
Hilda Mary Pemberton Also Known as: Hilda Pemberton, Hilda Mary Wilson
(Wife of Eli Marsden Wilson A.R.E., A.R.C.E. 1877 - 1965)
Image
20 x 15 cm.Hilda Mary Pemberton was a decorative designer, painter and
etcher in her own right. Educated at Goldsmith’s
College in
London and as a student received silver and bronze medals from the
Royal College of Art in recognition of her talents. A skilful
and
prolific artist who attracted a wide audience of admirers.
Her
favourite method of expression was “dry point” a
form of
etching. Exhibited in the Royal Academy between 1897 and 1940
on
10 occasions as well as the Royal Cambrian Academy, Royal Scottish
Academy and the Society of Women Artists. Wide public recognition
resulted in her election as an Associate of the Royal Cambrian Society
and the Society of Women Artists in 1922. Lived and worked in South
Africa £165 framed
|
Axel Herman Haig (1835-1921 In
the Aisles: Amiens Cathedral
pencil signed Axel
H.Haig.Dated with monogram 1897.Size of Image 278 x 369mm plus margins
and a solid oak original frame £285 inc
delivery £205 collected as in a
heavy oak frame
Axel Herman Haig (1835-1921), born in Sweden, was fascinated with the
sea and ships and spent much of his youth sketching seascapes and
building model boats. His love of the sea lead him to study
shipbuilding but he grew tired of ship design and shifted to
architecture. Haig was to design the residence of his
employer in Glasgow, resulting
in that he got Haig a job at a firm that specialized in
church design. Later Haig was employed by William Burges, a noted
Gothic Revival architect, and he became one of the most noted
architectural draughtsmen in Britain. In 1875 Haig traveled to Sicily,
Italy, and Germany to sketch the local scenery. Many of his etchings
came from these early drawings. Haig did not start etching until 1870
and was essentially self-taught. His first exhibition of etchings, in
1880, plus in the same year Haig, along with Francis Seymour
Haden and others, founded the Royal Academy of Painters-Etchers and
Engravers.
|
Graham Barry CLILVERD (1883-?) Oak Trees. . £225.
inc delivery cheaper collected in original black frame
An English architectural
painter, engraver and
etcher, Graham( Barry ) Clilverd studied in London at the Central Arts
School. He first exhibited his art around 1906 and by 1910 his
paintings were shown at the
Royal Academy, the Royal Scottish Academy and at the Paris Salon.
During the First World War, he served as a camouflage
artist (1916-1918) many of his colour etchings of the time using this
palette and showing London scenes such as the embankment.
His
first published
drypoint engravings and etchings date from 1929. During the
next eight years he released forty-nine prints of
architectural subjects in Britain, Italy, France and Belgium. All
were published in London by Jas. Connell & Sons in editions
ranging from sixty upwards . The colour etchings were in editions of 20
|
A
West Highland Castle
Signed and inscribed in pencil Stanley Angus (Fl.
1932-38) Scottish etcher. He worked in London and specialised in
Scottish scenery. He exhibited at the Royal Academy and the Fine Art
Society.A
Scottish etcher working from London, whose known work focuses on
Scottish castles. This is NOT Tantallon or Dunstanbrough both
of which he is listed as etching £125 poor frame so
will send in mount
|
John William ASHTON The Bab-Zuweileh off the Muski,
Cairo ETCHINGS OF EGYPTIAN SCENE, signed in pencil,
Print, Etching (30x19.5 cm) c 1925 Will Ashton Born on 20 September
1881 in York, England, John William Ashton arrived in Adelaide in 1884.
He studied with his father, James Ashton in Adelaide and later went to
Europe and studied with Julius Olsson and Algernon Talmadge at St Ives,
Cornwall and at the Academie Julien, Paris. On his return to Australia
in he became a prolific painter of picturesque works. He died 1
September 1963. His etched work, about 25 in number, are mainly from
the 1920s and of European and English subjects. £245
inc
postage cheaper to collect pencil signed framed glazed stuning
|
"le
Vieux Espagnol" by
Alphonse
Legros
Large plate etching on fine paper;
good plate mark some foxing ;
signed in plate; titled in pencil to back of mount paper; some
creasing so best with a clean prior to framing( tipped onto mount only
so do not
fret) Page size 33 x 43 cm Plate Image 26 x 34 cm
£135 signed in plate
|
"Classical Portrait' by
Alphonse Legros
Large plate etching ; good plate mark
some mucky bits from age ;
signed in plate; signed in pencil to image ( laid to card) Page 33 x 43
cm Plate Image
26 x 34 cm £185 scarce
pencil signed as most are left 'in plate'
Alphonse
Legros (1837 -
1911)
Alphonse
Legros was born in France
but moved to England in 1863
on the advice of his friend, Whistler. He became a citizen in 1881,
but never completely grasped the English language.A master etcher
of figure subjects, portraits and landscapes, Legros assumed the
head professorship of etching and engraving at the Royal College in
South Kensington in 1875. He later became the professor of art at
the Slade School of Art, London. He was one of the group of artists
who proposed the idea of the Société des
Aquafortistes to the
French publisher Cadart in 1862 and was a founder member of the
Society of Painter-Etchers in London in 1880. From this position he
fashioned a standard and influenced many younger British artists,
most notably William Strang, Charles Furse and Charles Holroyd. In
total Legros's graphic oeuvre runs to 704 etchings. Most of
Legros's figure subjects were inspired by the artist's early
impressions of French peasant life. Influences upon his art in this
area have been traced to the paintings and drawings of Gustave
Courbet and the art of Goya and the Spanish
School.
|
On
The Beach at Mundersley 1827
etching by Joseph Stannard £185
Condition
on 1815 Whatman paper to
me sunned has been laid to paper long long ago and cut
to 1cm out of plate area but so rare
JOSEPH
STANNARD (1796-1830), British painter, was born in Norwich.
He there received some training in art from Robert Ladbrooke,
the brother-in-law of Crome, and he also visited Holland and
studied the pictures of the Dutch masters. His short life -
he died when he was thirty-four - was spent in his native
town, and he contributed to the exhibitions of the Norwich
Society, of which he was a member, and also occasionally
showed his work in London. His major work was the lively
Thorpe Water Frolic (1825), and his subjects in oil (and less
frequently watercolour) included the coasts, landscapes and
river scenes of Norfolk. He was also an etcher of some
repute.
Stannard
married Emily Coppin
(1803-1885), who became a still life painter and teacher, and
his brother Alfred Stannard (1806-1889) was also a painter,
of landscapes and marine subjects. His pupils included two
offspring, Eloise Harriet Stannard (1829-1915) and Alfred
George Stannard (1810-1873), and his most well known student
was Henry Bright
(1810-1873)
|
|
North End of Telegraph
Hill, San Francisco, by John W. Winkler,
(Austria, 1890 - San Francisco, 1979)
Etching, signed in pencil to lower
margin, also signed and dated
1918 in the image, £425 inc
plate size approx. 242 x 180 mm (9.5 x
7 ins) framed and glazed
. In original frame clean and perfect
One of the
finest American
etchers of the early
twentieth century, J. W. Winkler was born in Austria settling in
California early in life. Winkler studied under Frank van Sloun at
the California Institute of Arts and published his first original
etching in 1915. During the following eight years he established a
large national reputation for his etchings, the great majority
being depictions of San Francisco and its environs. By 1923 he had
created 88 etchings, which were often compared to the work of
Whistler, particularly the Whistler etchings found in the 'French
Set' and 'Thames Set'. Like Whistler, John W. Winkler had the
ability to capture life and movement with the utmost simplicity.
One Winkler scholar wrote, "His technique is so eminently suited to
all that he wished to express that it has been little modified
during these ten years past. He makes no preparatory designs,
sketches or tracings; his impatient nature at no time permits of
his delaying from attacking the copper once he has found the motive
of the composition. All his plates have been etched directly from
nature, after long search and careful observation, in the bustle of
the streets or amid the coming and going of the passers-by."
In 1923, John
Winkler moved to Paris
and resided in that city
until 1930. During this time the artist produced etchings of Paris
streets and its occupants as well as landscape views of Normandy
and other provinces. Ferme, Normandie (Farm, Normandy) was
commissioned by the Paris art journal, Gazette des Beaux-Arts, in
1924. It is a fine example of Winkler's masterful use of line and
space. Returning to the United States, John Winkler became a full
member of the Chicago Society of Etchers, the Brooklyn Society of
Etchers and the American Society of Illustrators. In 1936 he was
admitted into the prestigious National Academy of
Design.
|
Barnards Castle
Albany E.Howarth,
(Watford, England, 1872
- 1936)Original Etching & Drypoint Engraving
Albany E. Howarth / Albany Howarth: English architectural and
landscape etcher and water-colourist, he first worked as a drawing
apprentice in the office of Armstrong, Whitworth. About 1905 he
emerged as a major etcher and frequently exhibited at such major
venues as the Fine Arts Society, the Royal Academy and with the
Royal Engravers he was elected an Associate of the Royal Engravers
in 1920. Image size 60 cm x 45 cm to include signature
£185
posted much cheaper collected
This is extremelely large in its
original oak frame untouched
but printed to card or laid on mega thin paper and laid down from
new pencil signed stunning
|
Polperrro Henry
GeorgeWALKER,
(1876-1932)
Etching in
colours signed in
pencil by Henry G walker
matt burn from old framing but a delicate sensivtive study
Henry George Walker was born in 1876 in
the
Birchfield area of Birmingham, where his father was in the coal
trade. From 1897-1901 he attended the well-known Birmingham
Municipal School of Art, now part of the University of Central
England. He may have designed jewellery for a time after finishing
his training there. By 1907 he was working as a freelance designer
and commercial line artist from his own studio in his Birchfield
home. The patriotic Bulldog in a naval cap probably represents one
of his commercial commissions during the First World War, though it
was used again at the beginning of the Second, several years after
his death. A.ctive as an etcher from around 1921, when he first
exhibited at the Royal Birmingham Society. To make a living, he
concentrated on popular architectural and topographical plates in
various combinations of soft-ground etching, dry-point, and
aquatint, both coloured and monochrome. He moved to Babbacombe in
Devon in 1929, and set up studio., the venture was cut short by his
early death in 1932. £95 post inc
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The Guildhall Totnes Henry
GeorgeWALKER,
(1876-1932)
Etching in
colours signed in
pencil by Henry G walker
matt burn from old framing but a delicate sensivtive study
Henry George Walker was born in 1876 in
the
Birchfield area of Birmingham, where his father was in the coal
trade. From 1897-1901 he attended the well-known Birmingham
Municipal School of Art, now part of the University of Central
England. He may have designed jewellery for a time after finishing
his training there. By 1907 he was working as a freelance designer
and commercial line artist from his own studio in his Birchfield
home. The patriotic Bulldog in a naval cap probably represents one
of his commercial commissions during the First World War, though it
was used again at the beginning of the Second, several years after
his death. A.ctive as an etcher from around 1921, when he first
exhibited at the Royal Birmingham Society. To make a living, he
concentrated on popular architectural and topographical plates in
various combinations of soft-ground etching, dry-point, and
aquatint, both coloured and monochrome. He moved to Babbacombe in
Devon in 1929, and set up studio., the venture was cut short by his
early death in 1932. £135 post inc in
original frame/mounts labels to verso
|
Andrew Watson TURNBULL,
(1874-?) etching St John's Cambridge .
St John's Cambridge . . unusual view
from the Cam.Andrew Watson Turnbull (British, 1874) was a painter,
etcher and stained glass artist who exhibited at the R.A. and
elsewhere, based in London befor moving to edinburgh and eventual
retiring in Richmond R.A. x 9 . Mounted and
matted £95
|
|
Andrew Watson TURNBULL,
(1874-?) etching Thames Barges & St Pauls from the River .
St
John's Cambridge . . unusual view
from the Cam.Andrew Watson Turnbull (British, 1874) was a painter,
etcher and stained glass artist who exhibited at the R.A. and
elsewhere, based in London befor moving to edinburgh and eventual
retiring in Richmond R.A. x 9 . Mounted and
matted Decent modern frame with wash line mounts not as pink as in pic
( electric lights sorry) £115
inc del
|
Susan Fletcher Crawford Etching of Montrose
Image 150 x 245 mm s. in pencil
b.r."Susan F.
Crawford"; s. inscr. in plate b.r. "MONTROSE / Susan F Crawford"; on a
tan paper ?
Signed in Pencil Susan Fletcher Crawford (Scottish;
1868-1918) Etcher. Born in Glasgow and studied at Glasgow
School
of Art under Newbery. Exhibited at the R.A, Royal Society of Painter
Etchers and others. A copy of this is in the Hunterian in Glasgow. She
was the assistant in the department of etchings at Glasgow
where
she taught for 28 years a contemporary of Rennie Mackintosh
and
the Glasgow school also a member of the Society of painter etchers .
She produced over 100 plates but all in extremely small
editions £145 inc delivery
|
R.C.Peter etching of Cows
Image 28 x 18 cm £165 inc delivery framed
|
Betty Nankervis etching with
aquatint 'The Vixen'
Signed, inscribed and dated '75. Numbered 9 from an edition of 50. 21.5
x 21.5 cm £125 inc deliv in a modern bruched
aluminium
frame all in good order
|
Henry Clarence HARRIDGE
etching ' Bankside, Brooks
wharf London' 1935
Image 13 x 18 cm modern beech frame no defects. Henry Clarence HARRIDGE
born 1908 A painter who studied at hornsea School of Art
under
John Moody and Norman James produced a number of very
intricate
etchings £135 inc delivery
|
Henry Clarence HARRIDGE
etching ' Canterbury' 1937
Image
13 x 18 cm modern frame no defects. Henry Clarence HARRIDGE
born
1908 A painter who studied at hornsea School of Art under
John Moody
and Norman James produced a number of very intricate etchings
£85 inc
delivery
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Seymour Haden etching portrait by William Strang
Portrait of the famous English etcher Seymour Haden,
brother-in-law to Whistler and one of the great printmaking
revivalists of 19th c. England Strang
(English,
1859 - 1921) is a noted printmaker. Signed and dated in
plate
'83 £85 whole page etc old tape
mark from bad
framer
William
Strang: (Dumbarton, 1859 - Bournemouth,
1921)A
Scottish etcher, lithographer and painter of portraits, figure
studies etc, William Strang came to London in 1875 to study at the
Slade School of Art. There he became the chief pupil and artistic
heir of Alphonse Legros. By the age of thirty Strang had created
over 180 original etchings, including portraits of such famous
individuals as Kipling, Rider Haggard, Thomas Hardy, Legros,
Seymour Haden and Lawrence Binyon. William Strang was elected an
Associate of the Royal Academy in 1906 and a full Academician in
1921.
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Mortimer
Luddington MENPES
(1860-1938) etching entitled
'The Bazaar at
Peshmere'
Large
plate etching ( for him!) 27
x 23 cm pencil signature and title on his watermarked
paper.Mortimer Luddington Menpes (1855-1938),was an
Australian-born British artist a student and
protégée
of Whistler. An constant traveler, he created images of
people and places from around the world. He was also very
popular as a portraitist in London where some of the most
famous and powerful figures of the age sat for him. Although
he also worked well in oil and watercolor, he excelled at
etching. Constantly experimenting, and a master of technique,
he always printed his works himself, often varying each image
through his choice of ink and paper and by subtle
wiping. £280
|
Mortimer Luddington MENPES
(1860-1938) etching of ' An
Egyptian' (original frame and label still present)
15
x 13 cm pencil signature and title on label.Mortimer Luddington Menpes
(1855-1938),was an
Australian-born British artist a student and
protégée
of Whistler. An constant traveler, he created images of
people and places from around the world. He was also very
popular as a portraitist in London where some of the most
famous and powerful figures of the age sat for him. Although
he also worked well in oil and watercolor, he excelled at
etching. Constantly experimenting, and a master of technique,
he always printed his works himself, often varying each image
through his choice of ink and paper and by subtle
wiping. £205 inc delivery
|
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Charles
Herbert Clark (British,
1890)
Harrow
School 2 £85 . .
framed pencil signedHe
specialised
in semi architecural
views of schools and
colleges
|
|
Charles Herbert Clark (British, 1890)
Chester with clock c
1925 £45 . . unframed
pencil signed. He specialised in semi architecural views of schools
and colleges old water mark
|
|
Labrador ? 128/150 pencil signed in wash lined
mount £185 delivered
Henry
Wilkinson
, born 1921. An engraver very
often of sporting subjects. Born in Bath in Somerset, his Father
having been taught to paint by John Ruskin, eventually became the
Headmaster of Winchester College of Art. It was whilst living in
Winchester that the young Wilkinson learned the first skills of Gun
Making, climbing out of the scullery window in the evenings to
work, unknown to his farther, at the famous gunmakers 'Hamond of
Winchester'. It was at Hammonds that he first became fascinated by
engraving, learning from the craftsmen who decorated the metalwork
on the hand-made firearms. Today Henry Wilkinson is one of the last
remaining qualified Muzzle Loading' gun maker in the country
Following his
early studies at
Winchester College of Art,
entrance was gained to the Royal College of Art in the Painting
School. By hard work a place was also gained in the Engraving
School, under Robert Austin R.A. and Malcolm Osborne MA. MBE,
where he won the Royal British Institute Scholarship in Engraving.
This gave him extra time at the college and enabled him to gain a
traveling scholarship, as well as the diplomas. Study in
Heidelberg, France and Italy followed. After the War he was elected
to the Royal Society of Painters, Etchers & Engravers,
ultimately as a counselor.
For many years
he was professor of
the Engraving School at the
City and Guilds of London, a consultant to the Morris Singer Bronze
Founders and a council member of the Royal Society of Painter
Etchers. These appointments he has now relinquished.
While a student
at the Royal College
of Art Wilkinson was
introduced to Harold Dickins by Sir Walter Lamb secretary to the
R.A.. Dickins then introduced Wilkinson to George Vernon Stokes the
famous canine artist and engraver, Wilkinson then helped Stokes
print his editions until his death in 1954. It was only then that
Wilkinson began to produce his original drypoints of Dogs and other
Sporting Subjects. From origination, to hand engraving his metal
plates and eventually printing and finishing the editions, the work
is entirely his own. He even produces his own printing inks. Etchings .
110 x 100mm
£195 each post inclusive
|
Clarence E. BLACKBURN, 1914-1984
A very architectural painter and
etcher with no information at
the moment other than the government owns a few of his works
£195
|
Cyril Henry BARRAUD
(1877-1940) £260
Windmill titled as to location but I
cannot decipher it
!
Canadian/British
etcher Born
in Barnes, England, in
1877, Barraud studied art and then worked as a commercial
illustrator. His commercial work experience provided him with a
clear understanding of design and composition, important factors
that are apparent in his later work. In 1913, Barraud emigrated to
Canada and in May 1915 enlisted in the Winnipeg Grenadiers. He went
overseas in August that year with the 43rd Battalion of the
Canadian Expeditionary Force.He was with the battalion when it left
for France in late February 1916. Eight months later he was wounded
in the left leg, but recovered in time to return to France a few
weeks before Christmas. The Canadian War Memorials Fund (CWMF)
appointed him an official war artist on Nov. 1, 1917.
Long before his
appointment, Barraud
was busy sketching scenes
along the front. Some of these works are the only depictions we
have of the beautiful architecture that existed prior to the
destructive forces of war. The artist filled seven sketchbooks,
completing more than 300 images. Many of the paintings and etchings
he created for the CWMF were constructed from these drawings.The
inevitable destruction of these locations is as carefully rendered
as the original idylic settings. The colours of mud and rubble have
crept into much of this work, and add to its elegance. His etchings
are printed in browns, greys and sepias. Even his paintings have a
subdued palette. Barraud retired from service at the end of August
1919. He died in England in 1965,
|
Andrew F. AFFLECK,( 1869-1935) £220
Venice Byway
Affleck was an Ayr painter and
etcher who specialised in
architectural subjects,ranked with Hedley Fitton and Axel Haig,also
produced a few landscape and topographical scenes. He was of
Scottish origin but settled in London having spent a lot of time
travelling extensively and living for long periods in England,
Belgium, France and Spain. Affleck etched many views in England,
Holland, Italy, Belgium and in America. Around 1910 Affleck moved
permanently to France and some of his finest art deals with French
buildings and their interiors. Today, the largest collections of
Affleck's original etchings are housed in the British Museum,
London.
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Andrew F. AFFLECK,(
1869-1935) £180
European market
Affleck was an Ayr painter and
etcher who specialised in
architectural subjects,ranked with Hedley Fitton and Axel Haig,also
produced a few landscape and topographical scenes. He was of
Scottish origin but settled in London having spent a lot of time
travelling extensively and living for long periods in England,
Belgium, France and Spain. Affleck etched many views in England,
Holland, Italy, Belgium and in America. Around 1910 Affleck moved
permanently to France and some of his finest art deals with French
buildings and their interiors. Today, the largest collections of
Affleck's original etchings are housed in the British Museum,
London.
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Joseph Benwell Clark
(1857-1938)
Joseph Benwell Clark was born in Cerne
Abbas in 1857. He became
an artist working in London, painting and teaching at the Slade
amongst other activities. In the 1920s he was able to return to
live in Cerne at Barnwells with his brother and sister till he died
in 1938. He made the front door: at top left he carved his initials
and at top right the Nag's Head, recalling the name by which for
centuries the house was known when it was a pub. portrait probably
of Rodin Contemporary to the Legros etching £125 Incorrect
mount
just to protect page
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Walter
William Burgess died 1908 etcher;
exhibited at the Royal Society of Etchers 92 times and the Royal
Academy 19 times He worked mainly between 1880 and 1906 and
produced a series of local London plates between 1902 & 1906 Chichester
£140 framed glazed signed in pencil and the
plate
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Stanley
Angus exh 1932 to 1938 Etcher
Shown at the Royal Academy once and the Fine Art Society 3 times A
Scottish etcher working from London, whose known work focuses on
Scottish castles. This shows Washington County
Durham £140 framed
glazed
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Percy
Thomas £105 lived 1846 to 19222
Portrait, landscape and architectural painter and etcher. Studied
under Whistler, Augusta Delatre and the Royal Academy Schools.
Shown at the Royal Academy 21 times and the Royal Society of
Etchers 136 timesBritish, He was a painter and etcher. His brother
Ralph was a law partner of James Whistler's solicitor J. A. Rose.
His other brother Edmund was a dealer and print publisher at 39 Old
Bond Street in London. His etched work covered portraits,
landscapes, genre and architectural subjects. He studied under
Whistler and Delatre in Paris and at the Royal Academy Schools. His
marine and river scenes are highly evocative of Whistler's and his
prodigious technique in etching is frequntly compared very
favourably to Whistler's. He assisted Whistler in preparing a
number of his plates
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The White Hart Inn . by Percy Thomas . pencil signed remarque
,
stamp for London Gallery ( F. S. N. & Co., London Bridge)
£95
mucky now mounted
Percy
Thomas lived 1846 to 1922
Portrait, landscape and architectural painter and etcher. Studied
under Whistler, Augusta Delatre and the Royal Academy Schools.
Shown at the Royal Academy 21 times and the Royal Society of
Etchers 136 timesBritish, He was a painter and etcher. His brother
Ralph was a law partner of James Whistler's solicitor J. A. Rose.
His other brother Edmund was a dealer and print publisher at 39 Old
Bond Street in London. His etched work covered portraits,
landscapes, genre and architectural subjects. He studied under
Whistler and Delatre in Paris and at the Royal Academy Schools. His
marine and river scenes are highly evocative of Whistler's and his
prodigious technique in etching is frequntly compared very
favourably to Whistler's. He assisted Whistler in preparing a
number of his plates
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Estuary
Greenodd ( ie Lakes nr
Ulverston)
Sam Hartley BRAITHWAITE, £110
Landscape
painter and etchers b 1883 in Egremont studied Bournemouth
Exhibited 1932 to 1937
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Chichester Cross, Hampshire signed in
pencil by Herbert George
HAMPTON, (1873-1936) £135 mounted
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"Jetty on
the Humber" by Leslie M Ward £160 a
nice rare industrial
scene
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Andalusian Cats by Carl Mayen £92
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Francis
Wells exh 1897-1938 Portrait and
landscape painter studied at the Slade and Royal Academy
Schools;Lived Milton Abbas , Dorset, Ex Royal Academy 8 times
£140
framed glazed signed in pencil
**For Non
European Sales please ask as US customs only allow unframed unless
sent UPS and cannot include this postage in
price**
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St
Michaels Mount £140 framed glazed
signed in pencil
Francis
Wells exh 1897-1938 Portrait and
landscape painter studied at the Slade and Royal Academy
Schools;Lived Milton Abbas , Dorset, Ex Royal Academy 8
times
**For Non
European Sales please ask as US customs only allow unframed unless
sent UPS and cannot include this postage in
price**
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Henry George RUSHBURY, (1889-1968) " Horseguards "
Born in 1880, Sir Henry George Rushbury gained a scholarship to
Birmingham, School of Art at the age of thirteen, studying
silversmithing and stained glass design. In 1912 he moved to London,
where he met Francis Todd who taught him the techniques of drypoint and
etching. In 1964 Rushbury was knighted for his services to the arts."
Horseguards " Drypoint etching framed £140 reduced as slightly
sunned
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