Genuine Antique
Prints & Engravings by Original County . .
. .Devon
7
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Tawstock House. Dedicated to Sir Bourchier Wrey, Bart.
Large plate Copper Engraving drawn and engraved by T. Bonnor (del. et
sc.) 1794. p. 409.The History of Devonshire. In Three Volumes. By the
Reverend Richard Polwhele of Polwhele, in Cornwall, and late of Chribt
Church, Oxford. Exeter : Printed by Trewman and Son, for Cadell,
Johnson, and Dilly, London. Mijccxcvii £65 some soiling full
borders pretty perfect
Sidmouth
mezzotint etched by Thomas Lupton published in The
Harbours
of England, from original drawings made expressly for the
work by
J.M.W. Turner.. On heavyweight paper with strong platemark.. Size 22.5
x 17 cms including title, plus good margins. London: Smith, Elder,
& Co., 1877.The series remained unfinished when Turner died in
1851
and some of the more important harbours of England are thus not
present. The harbours illustrated are those of Dover, Ramsgate,
Catwater, Plymouth, Margate, Falmouth, Sidmouth, Deal, Portsmouth,
Sheerness, Whitby and Scarborough. £25 Untinted and
mounted
Plymouth
mezzotint etched by Thomas Lupton published in The
Harbours
of England, from original drawings made expressly for the
work by
J.M.W. Turner.. On heavyweight paper with strong platemark.. Size 22.5
x 17 cms including title, plus good margins. London: Smith, Elder,
& Co., 1877.The series remained unfinished when Turner died in
1851
and some of the more important harbours of England are thus not
present. The harbours illustrated are those of Dover, Ramsgate,
Catwater, Plymouth, Margate, Falmouth, Sidmouth, Deal, Portsmouth,
Sheerness, Whitby and Scarborough. £25
Catwater
mezzotint etched by Thomas Lupton published in The
Harbours
of England, from original drawings made expressly for the
work by
J.M.W. Turner.. On heavyweight paper with strong platemark.. Size 22.5
x 17 cms including title, plus good margins. London: Smith, Elder,
& Co., 1877.The series remained unfinished when Turner died in
1851
and some of the more important harbours of England are thus not
present. The harbours illustrated are those of Dover, Ramsgate,
Catwater, Plymouth, Margate, Falmouth, Sidmouth, Deal, Portsmouth,
Sheerness, Whitby and Scarborough. £25
Frederick
Christian Lewis: An eminent early nineteenth century painter, etcher,
aquatint and stipple engraver, F. C. Lewis was a pupil of J. C. Stadler
and studied at the Royal Academy Schools. He first gained notice in
1803 with his aquatints after Thomas Girtin's designs which were
published under the title of, Twenty of the most Picturesque Views in
Paris and its Environs. Afterwards, from 1808 to 1823, he became one of
the principal engravers for William Ottley's famous volumes on
Renaissance art, The Italian School of Design. Lewis also contributed
etchings for J.M.W. Turner's, Liber Studiorum , as well as creating
commissioned engravings after the designs of Landseer and Flaxman.
During his
successful career, F. C. Lewis exhibited his art at the Royal Academy
(1802-1853), the British Institution (1817-1853), the Society of
British Artists (1824-1846) and at the Old Water-Colour Society. He was
appointed Engraver of Drawings to King George IV, King William IV and
Queen Victoria.
Roebuck
from Langermarsh The Property of Sir Bourchier Wrey, Tawstock
from Lewis,
F.C. from Scenery of the River Dart, Being a Series of Thirty Five
Views .... London: 1821. normally sepia some of the rarer coloured set
of views of the River Dart, 38 x 27 cm some surface dirt but very good
condition for age etc £65 RARE
Frederick
Christian Lewis: An eminent early nineteenth century painter, etcher,
aquatint and stipple engraver, F. C. Lewis was a pupil of J. C. Stadler
and studied at the Royal Academy Schools. He first gained notice in
1803 with his aquatints after Thomas Girtin's designs which were
published under the title of, Twenty of the most Picturesque Views in
Paris and its Environs. Afterwards, from 1808 to 1823, he became one of
the principal engravers for William Ottley's famous volumes on
Renaissance art, The Italian School of Design. Lewis also contributed
etchings for J.M.W. Turner's, Liber Studiorum , as well as creating
commissioned engravings after the designs of Landseer and Flaxman.
During his
successful career, F. C. Lewis exhibited his art at the Royal Academy
(1802-1853), the British Institution (1817-1853), the Society of
British Artists (1824-1846) and at the Old Water-Colour Society. He was
appointed Engraver of Drawings to King George IV, King William IV and
Queen Victoria.
Scene
from Wells Foot Wood The Property of Sir Bourchier Wrey, Tawstock
from Lewis,
F.C. from Scenery of the River Dart, Being a Series of Thirty Five
Views .... London: 1821. normally sepia some of the rarer coloured set
of views of the River Dart, 38 x 27 cm some surface dirt but very good
condition for age etc £65 RARE
Frederick
Christian Lewis: An eminent early nineteenth century painter, etcher,
aquatint and stipple engraver, F. C. Lewis was a pupil of J. C. Stadler
and studied at the Royal Academy Schools. He first gained notice in
1803 with his aquatints after Thomas Girtin's designs which were
published under the title of, Twenty of the most Picturesque Views in
Paris and its Environs. Afterwards, from 1808 to 1823, he became one of
the principal engravers for William Ottley's famous volumes on
Renaissance art, The Italian School of Design. Lewis also contributed
etchings for J.M.W. Turner's, Liber Studiorum , as well as creating
commissioned engravings after the designs of Landseer and Flaxman.
During his
successful career, F. C. Lewis exhibited his art at the Royal Academy
(1802-1853), the British Institution (1817-1853), the Society of
British Artists (1824-1846) and at the Old Water-Colour Society. He was
appointed Engraver of Drawings to King George IV, King William IV and
Queen Victoria.
Scene
from Cumston The Property of Sir Bourchier Wrey, Tawstock
from Lewis,
F.C. from Scenery of the River Dart, Being a Series of Thirty Five
Views .... London: 1821. normally sepia some of the rarer coloured set
of views of the River Dart, 38 x 27 cm some surface dirt but very good
condition for age etc £65 RARE light foxing and mk in border
Frederick
Christian Lewis: An eminent early nineteenth century painter, etcher,
aquatint and stipple engraver, F. C. Lewis was a pupil of J. C. Stadler
and studied at the Royal Academy Schools. He first gained notice in
1803 with his aquatints after Thomas Girtin's designs which were
published under the title of, Twenty of the most Picturesque Views in
Paris and its Environs. Afterwards, from 1808 to 1823, he became one of
the principal engravers for William Ottley's famous volumes on
Renaissance art, The Italian School of Design. Lewis also contributed
etchings for J.M.W. Turner's, Liber Studiorum , as well as creating
commissioned engravings after the designs of Landseer and Flaxman.
During his
successful career, F. C. Lewis exhibited his art at the Royal Academy
(1802-1853), the British Institution (1817-1853), the Society of
British Artists (1824-1846) and at the Old Water-Colour Society. He was
appointed Engraver of Drawings to King George IV, King William IV and
Queen Victoria.
Austin's
Bridge and Buckfastleigh
from Lewis,
F.C. from Scenery of the River Dart, Being a Series of Thirty Five
Views .... London: 1821. normally sepia some of the rarer coloured set
of views of the River Dart, 38 x 27 cm some surface dirt but very good
condition for age etc £65 RARE
Frederick
Christian Lewis: An eminent early nineteenth century painter, etcher,
aquatint and stipple engraver, F. C. Lewis was a pupil of J. C. Stadler
and studied at the Royal Academy Schools. He first gained notice in
1803 with his aquatints after Thomas Girtin's designs which were
published under the title of, Twenty of the most Picturesque Views in
Paris and its Environs. Afterwards, from 1808 to 1823, he became one of
the principal engravers for William Ottley's famous volumes on
Renaissance art, The Italian School of Design. Lewis also contributed
etchings for J.M.W. Turner's, Liber Studiorum , as well as creating
commissioned engravings after the designs of Landseer and Flaxman.
During his
successful career, F. C. Lewis exhibited his art at the Royal Academy
(1802-1853), the British Institution (1817-1853), the Society of
British Artists (1824-1846) and at the Old Water-Colour Society. He was
appointed Engraver of Drawings to King George IV, King William IV and
Queen Victoria.
Hanaford
The Property of LordAshburton
from Lewis,
F.C. from Scenery of the River Dart, Being a Series of Thirty Five
Views .... London: 1821. normally sepia some of the rarer coloured set
of views of the River Dart, 38 x 27 cm some surface dirt but very good
condition for age etc £65 RARE
Frederick
Christian Lewis: An eminent early nineteenth century painter, etcher,
aquatint and stipple engraver, F. C. Lewis was a pupil of J. C. Stadler
and studied at the Royal Academy Schools. He first gained notice in
1803 with his aquatints after Thomas Girtin's designs which were
published under the title of, Twenty of the most Picturesque Views in
Paris and its Environs. Afterwards, from 1808 to 1823, he became one of
the principal engravers for William Ottley's famous volumes on
Renaissance art, The Italian School of Design. Lewis also contributed
etchings for J.M.W. Turner's, Liber Studiorum , as well as creating
commissioned engravings after the designs of Landseer and Flaxman.
During his
successful career, F. C. Lewis exhibited his art at the Royal Academy
(1802-1853), the British Institution (1817-1853), the Society of
British Artists (1824-1846) and at the Old Water-Colour Society. He was
appointed Engraver of Drawings to King George IV, King William IV and
Queen Victoria.
Marks Ridge
The Property of Sir Bourchier Wrey, Tawstock
from Lewis,
F.C. from Scenery of the River Dart, Being a Series of Thirty Five
Views .... London: 1821. normally sepia some of the rarer coloured set
of views of the River Dart, 38 x 27 cm some surface dirt but very good
condition for age etc £35 RARE Loss to edge of plate mark but
the rarer folio version printed to India paper and laid on card from new
Powderham Castle
from
Neale From' Views of Seats'
written by & drawn by John Preston
Neale and
engraved
by various artists.1825/1830 .....image 8 x13 cm app £12 proof
copy no
history pages.
Luscombe
From a series
of small steel engravings,
uncoloured written by Neale. Drawn by John Preston
Neale and
engraved by various artists. Published, as PROOFS by subscription
between 1812 and 1825 in six large volumes printed upon Onion Skin
paper then mounted and cased within the larger volume. NOT the
later reprints from the same plates which are printed directly onto
the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5
cm unmounted
and not
including the history £12
proof
copy no
history pages.
x2
Langdon Hall
From a series
of small steel engravings,
uncoloured written by Neale. Drawn by John Preston
Neale and
engraved by various artists. Published, as PROOFS by subscription
between 1812 and 1825 in six large volumes printed upon Onion Skin
paper then mounted and cased within the larger volume. NOT the
later reprints from the same plates which are printed directly onto
the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5
cm unmounted
and not
including the history £12
proof
copy no
history pages.
x2
Buckland Filliegh
f
From a series
of small steel engravings,
uncoloured written by Neale. Drawn by John Preston
Neale and
engraved by various artists. Published, as PROOFS by subscription
between 1812 and 1825 in six large volumes printed upon Onion Skin
paper then mounted and cased within the larger volume. NOT the
later reprints from the same plates which are printed directly onto
the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5
cm unmounted
and not
including the history £12
proof
copy no
history pages.
x4
Endesleigh Cottage
From a series
of small steel engravings,
uncoloured written by Neale. Drawn by John Preston
Neale and
engraved by various artists. Published, as PROOFS by subscription
between 1812 and 1825 in six large volumes printed upon Onion Skin
paper then mounted and cased within the larger volume. NOT the
later reprints from the same plates which are printed directly onto
the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5
cm unmounted
and not
including the history £12
proof
copy no
history pages.
x2
