The Continuation of
ye extended road from Barnstable to Truro.
Published in London, 1675-98. 325 x 435.by John
OGILBY Finely coloured; ( older tint) very light
age-toning, a good example.From the 1698 edition of the first road
atlas of England and Wales, surveyed by John Ogilby. heet 34;
shows the road from Hatherley in Devon, through Launceston, Camelford,
across the River Camel [Rock] to Padstow and on to Truro. £185
inc delivery This map shows the journey between Hatherleigh and
Truro,via Launceston, Camelford, Padstow.Includes :-Hatherley
(Hatherleigh) Stovert Moor,Beworthy Church
(Beaworthy),Ashwater,Ivy,Denicary River (Downicarey),River
Tamar,Woorriton Church (Werrington),Launceston,Newport or St Stephen,St
Stephens Down,Blindwell,Egleskery (Egloskerry),East Lean Church
(Laneast),Tresmare (Tresmeer),Treneglos Church,Kettes Moore (Kittow's
Moor),Hall Drunkard or Hallworthy,Tresoake
(Tresoke),Davidstow,Cambelford (Camelford),Llantegloy
(Lanteglos),Treymagney (Tramagenna),Helson in Trigg (Helstone),Knerts
Mill (Knightsmill),St Teath Tregeare,Peadoggett
(Pendoggett),Tresonger House (Tresungers),Indullion (St Endellion),St
Minver,Tredessick (Tredrizzick),Predilly (Porthilly),Camel Fluv (River
Camel),Padstow,St Tissey (St Issey),Trevilada (Trevillador),Treviblin
(Trevibban),Hippingstone Downe,St Colombe (St Columb Major),St David,St
John,Neheley brook,Retein Water,St Tenedor (St Enoder),Michel or St
Michael (Mitchell),Michel Downe,Tutham House (Truthan),St Ern (St
Erme),St Kenvyn (Kenwyn,Truro,
William TRAIES (1789-1872) Old Billmarsh Mill Near Churdleigh
Called 'The Devonshire Claude' He was born in Crediton. Starting
as a clerk in Exeter Post Office. Hus talent was recognised by John
Gendall, & became patronised by Rev. Patch of Trinity, Exeter, and
Rev. Carrington of Bridford. Had a studio at Whiteway, Chudleigh for 40
years.Exhibited at Royal Academy. Examples in V&A., & Exeter
Museum. Died at Parkers Well Cottage, Topsham Rd., Exeter. Original
Watercolour with title etc to mount in what looks an early frame
( repainted) very detailed with good perspective so probably a study
for a later oil Affordable and less flat than his later oils
£425 inc delivery £385 collected as way oversize for royal
mail
Tawstock House. Dedicated to Sir Bourchier Wrey, Bart.
Large plate Copper Engraving drawn and engraved by T. Bonnor (del. et
sc.) 1794. p. 409.The History of Devonshire. In Three Volumes. By the
Reverend Richard Polwhele of Polwhele, in Cornwall, and late of Chribt
Church, Oxford. Exeter : Printed by Trewman and Son, for Cadell,
Johnson, and Dilly, London. Mijccxcvii £65 some soiling full
borders pretty perfect
Sidmouth
mezzotint etched by Thomas Lupton published in The
Harbours
of England, from original drawings made expressly for the
work by
J.M.W. Turner.. On heavyweight paper with strong platemark.. Size 22.5
x 17 cms including title, plus good margins. London: Smith, Elder,
& Co., 1877.The series remained unfinished when Turner died in
1851
and some of the more important harbours of England are thus not
present. The harbours illustrated are those of Dover, Ramsgate,
Catwater, Plymouth, Margate, Falmouth, Sidmouth, Deal, Portsmouth,
Sheerness, Whitby and Scarborough. £25 Untinted and
mounted
Plymouth
mezzotint etched by Thomas Lupton published in The
Harbours
of England, from original drawings made expressly for the
work by
J.M.W. Turner.. On heavyweight paper with strong platemark.. Size 22.5
x 17 cms including title, plus good margins. London: Smith, Elder,
& Co., 1877.The series remained unfinished when Turner died in
1851
and some of the more important harbours of England are thus not
present. The harbours illustrated are those of Dover, Ramsgate,
Catwater, Plymouth, Margate, Falmouth, Sidmouth, Deal, Portsmouth,
Sheerness, Whitby and Scarborough. £25
Catwater
mezzotint etched by Thomas Lupton published in The
Harbours
of England, from original drawings made expressly for the
work by
J.M.W. Turner.. On heavyweight paper with strong platemark.. Size 22.5
x 17 cms including title, plus good margins. London: Smith, Elder,
& Co., 1877.The series remained unfinished when Turner died in
1851
and some of the more important harbours of England are thus not
present. The harbours illustrated are those of Dover, Ramsgate,
Catwater, Plymouth, Margate, Falmouth, Sidmouth, Deal, Portsmouth,
Sheerness, Whitby and Scarborough. £25
Frederick
Christian Lewis: An eminent early nineteenth century painter, etcher,
aquatint and stipple engraver, F. C. Lewis was a pupil of J. C. Stadler
and studied at the Royal Academy Schools. He first gained notice in
1803 with his aquatints after Thomas Girtin's designs which were
published under the title of, Twenty of the most Picturesque Views in
Paris and its Environs. Afterwards, from 1808 to 1823, he became one of
the principal engravers for William Ottley's famous volumes on
Renaissance art, The Italian School of Design. Lewis also contributed
etchings for J.M.W. Turner's, Liber Studiorum , as well as creating
commissioned engravings after the designs of Landseer and Flaxman.
During his
successful career, F. C. Lewis exhibited his art at the Royal Academy
(1802-1853), the British Institution (1817-1853), the Society of
British Artists (1824-1846) and at the Old Water-Colour Society. He was
appointed Engraver of Drawings to King George IV, King William IV and
Queen Victoria.
Roebuck
from Langermarsh The Property of Sir Bourchier Wrey, Tawstock
from Lewis,
F.C. from Scenery of the River Dart, Being a Series of Thirty Five
Views .... London: 1821. normally sepia some of the rarer coloured set
of views of the River Dart, 38 x 27 cm some surface dirt but very good
condition for age etc £65 RARE
Frederick
Christian Lewis: An eminent early nineteenth century painter, etcher,
aquatint and stipple engraver, F. C. Lewis was a pupil of J. C. Stadler
and studied at the Royal Academy Schools. He first gained notice in
1803 with his aquatints after Thomas Girtin's designs which were
published under the title of, Twenty of the most Picturesque Views in
Paris and its Environs. Afterwards, from 1808 to 1823, he became one of
the principal engravers for William Ottley's famous volumes on
Renaissance art, The Italian School of Design. Lewis also contributed
etchings for J.M.W. Turner's, Liber Studiorum , as well as creating
commissioned engravings after the designs of Landseer and Flaxman.
During his
successful career, F. C. Lewis exhibited his art at the Royal Academy
(1802-1853), the British Institution (1817-1853), the Society of
British Artists (1824-1846) and at the Old Water-Colour Society. He was
appointed Engraver of Drawings to King George IV, King William IV and
Queen Victoria.
Scene
from Wells Foot Wood The Property of Sir Bourchier Wrey, Tawstock
from Lewis,
F.C. from Scenery of the River Dart, Being a Series of Thirty Five
Views .... London: 1821. normally sepia some of the rarer coloured set
of views of the River Dart, 38 x 27 cm some surface dirt but very good
condition for age etc £65 RARE
Frederick
Christian Lewis: An eminent early nineteenth century painter, etcher,
aquatint and stipple engraver, F. C. Lewis was a pupil of J. C. Stadler
and studied at the Royal Academy Schools. He first gained notice in
1803 with his aquatints after Thomas Girtin's designs which were
published under the title of, Twenty of the most Picturesque Views in
Paris and its Environs. Afterwards, from 1808 to 1823, he became one of
the principal engravers for William Ottley's famous volumes on
Renaissance art, The Italian School of Design. Lewis also contributed
etchings for J.M.W. Turner's, Liber Studiorum , as well as creating
commissioned engravings after the designs of Landseer and Flaxman.
During his
successful career, F. C. Lewis exhibited his art at the Royal Academy
(1802-1853), the British Institution (1817-1853), the Society of
British Artists (1824-1846) and at the Old Water-Colour Society. He was
appointed Engraver of Drawings to King George IV, King William IV and
Queen Victoria.
Scene
from Cumston The Property of Sir Bourchier Wrey, Tawstock
from Lewis,
F.C. from Scenery of the River Dart, Being a Series of Thirty Five
Views .... London: 1821. normally sepia some of the rarer coloured set
of views of the River Dart, 38 x 27 cm some surface dirt but very good
condition for age etc £65 RARE light foxing and mk in border
Frederick
Christian Lewis: An eminent early nineteenth century painter, etcher,
aquatint and stipple engraver, F. C. Lewis was a pupil of J. C. Stadler
and studied at the Royal Academy Schools. He first gained notice in
1803 with his aquatints after Thomas Girtin's designs which were
published under the title of, Twenty of the most Picturesque Views in
Paris and its Environs. Afterwards, from 1808 to 1823, he became one of
the principal engravers for William Ottley's famous volumes on
Renaissance art, The Italian School of Design. Lewis also contributed
etchings for J.M.W. Turner's, Liber Studiorum , as well as creating
commissioned engravings after the designs of Landseer and Flaxman.
During his
successful career, F. C. Lewis exhibited his art at the Royal Academy
(1802-1853), the British Institution (1817-1853), the Society of
British Artists (1824-1846) and at the Old Water-Colour Society. He was
appointed Engraver of Drawings to King George IV, King William IV and
Queen Victoria.
Austin's
Bridge and Buckfastleigh
from Lewis,
F.C. from Scenery of the River Dart, Being a Series of Thirty Five
Views .... London: 1821. normally sepia some of the rarer coloured set
of views of the River Dart, 38 x 27 cm some surface dirt but very good
condition for age etc £65 RARE
Frederick
Christian Lewis: An eminent early nineteenth century painter, etcher,
aquatint and stipple engraver, F. C. Lewis was a pupil of J. C. Stadler
and studied at the Royal Academy Schools. He first gained notice in
1803 with his aquatints after Thomas Girtin's designs which were
published under the title of, Twenty of the most Picturesque Views in
Paris and its Environs. Afterwards, from 1808 to 1823, he became one of
the principal engravers for William Ottley's famous volumes on
Renaissance art, The Italian School of Design. Lewis also contributed
etchings for J.M.W. Turner's, Liber Studiorum , as well as creating
commissioned engravings after the designs of Landseer and Flaxman.
During his
successful career, F. C. Lewis exhibited his art at the Royal Academy
(1802-1853), the British Institution (1817-1853), the Society of
British Artists (1824-1846) and at the Old Water-Colour Society. He was
appointed Engraver of Drawings to King George IV, King William IV and
Queen Victoria.
Hanaford
The Property of LordAshburton
from Lewis,
F.C. from Scenery of the River Dart, Being a Series of Thirty Five
Views .... London: 1821. normally sepia some of the rarer coloured set
of views of the River Dart, 38 x 27 cm some surface dirt but very good
condition for age etc £65 RARE
Frederick
Christian Lewis: An eminent early nineteenth century painter, etcher,
aquatint and stipple engraver, F. C. Lewis was a pupil of J. C. Stadler
and studied at the Royal Academy Schools. He first gained notice in
1803 with his aquatints after Thomas Girtin's designs which were
published under the title of, Twenty of the most Picturesque Views in
Paris and its Environs. Afterwards, from 1808 to 1823, he became one of
the principal engravers for William Ottley's famous volumes on
Renaissance art, The Italian School of Design. Lewis also contributed
etchings for J.M.W. Turner's, Liber Studiorum , as well as creating
commissioned engravings after the designs of Landseer and Flaxman.
During his
successful career, F. C. Lewis exhibited his art at the Royal Academy
(1802-1853), the British Institution (1817-1853), the Society of
British Artists (1824-1846) and at the Old Water-Colour Society. He was
appointed Engraver of Drawings to King George IV, King William IV and
Queen Victoria.
Marks Ridge
The Property of Sir Bourchier Wrey, Tawstock
from Lewis,
F.C. from Scenery of the River Dart, Being a Series of Thirty Five
Views .... London: 1821. normally sepia some of the rarer coloured set
of views of the River Dart, 38 x 27 cm some surface dirt but very good
condition for age etc £35 RARE Loss to edge of plate mark but
the rarer folio version printed to India paper and laid on card from new
Devon Map
from ARCHER/ DUGDALE: Original outline colour plus railways
marked. Overall size
8.5x10 inches. .image 26 x 20 cm 1846 From England
and Wales
Delineated
first printed in London c.1835. £20
Powderham Castle
From a series
of small steel engravings,
uncoloured written by Neale. Drawn by John Preston
Neale and
engraved by various artists. Published, as PROOFS by subscription
between 1812 and 1825 in six large volumes printed upon Onion Skin
paper then mounted and cased within the larger volume. NOT the
later reprints from the same plates which are printed directly onto
the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5
cm unmounted
and not
including the history £12
proof
copy no
history
pages.
x2
with history pages.£20
Luscombe
From a series
of small steel engravings,
uncoloured written by Neale. Drawn by John Preston
Neale and
engraved by various artists. Published, as PROOFS by subscription
between 1812 and 1825 in six large volumes printed upon Onion Skin
paper then mounted and cased within the larger volume. NOT the
later reprints from the same plates which are printed directly onto
the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5
cm unmounted
and not
including the history
£12
proof
copy no
history pages.
x2
£20
proof
copy with
history pages.
Langdon Hall
From a series
of small steel engravings,
uncoloured written by Neale. Drawn by John Preston
Neale and
engraved by various artists. Published, as PROOFS by subscription
between 1812 and 1825 in six large volumes printed upon Onion Skin
paper then mounted and cased within the larger volume. NOT the
later reprints from the same plates which are printed directly onto
the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5
cm unmounted
and not
including the history £12
proof
copy no
history pages.
x2
Buckland Filliegh
f
From a series
of small steel engravings,
uncoloured written by Neale. Drawn by John Preston
Neale and
engraved by various artists. Published, as PROOFS by subscription
between 1812 and 1825 in six large volumes printed upon Onion Skin
paper then mounted and cased within the larger volume. NOT the
later reprints from the same plates which are printed directly onto
the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5
cm unmounted
and not
including the history £12
proof
copy no
history pages.
x4
Endesleigh Cottage
From a series
of small steel engravings,
uncoloured written by Neale. Drawn by John Preston
Neale and
engraved by various artists. Published, as PROOFS by subscription
between 1812 and 1825 in six large volumes printed upon Onion Skin
paper then mounted and cased within the larger volume. NOT the
later reprints from the same plates which are printed directly onto
the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5
cm unmounted
and not
including the history £12
proof
copy no
history pages.
x2
