. .William DANIELL, Aquatints
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William DANIELL,1769-1837

'A Voyage Round Great Britain' In early 1813, Daniell conceived of the ambitious plan to travel around the entire coastline of Britain while producing an illustrated work of the voyage. ,In 1814, artist engraver William Daniell set out to record the people, places, towns and villages around Britain's coastline. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11",

William Daniell, an engraver and painter, belonged to a family of English artists. He was raised by his uncle, Thomas Daniell, a painter and engraver, lived with him in India from 1784-94, and worked with him on publications based on his travels. In 1795 he settled in London, where he remained for the rest of his life. He collaborated with Thomas on A Voyage Round Great Britain (1814-25). Daniell was a member of the Royal Academy and exhibited there from 1795 to 1838

This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text. This partnership lasted for the first two volumes, thereafter Daniell produced the text as well. The latter text relates to the plates and is relatively pedestrian, whereas Ayton used the voyage for his own agenda and sociological interests, his text is only loosely related to the plates and concentrates on the manners and customs of people he met.308 handcoloured aquatints.

Thomas Sutton in The Daniells Artists and Travellers outlines the journey as follows: . . "During the summer of 1813 Ayton and Daniell surveyed the coast from Land's End up to Holyhead, where the first year's voyage closed near the middle of October (plates 1-26). The following year their journeys re commenced at Holyhead, at the beginning of August, and proceeded as far as Creetown or Dunsky Castle in Kircudbright. This at any rate, was the limit of Ayton's tour (plates 27-56). Daniell started off alone from Wigtown, early in the summer and finished his survey of the entire coast of Scotland, as far as Dundee, which he reached in October. This very lengthy tour was rendered possible by an exceptionally fine spell of weather (plates 57-195).

Six years elapsed before Daniell commenced the further prosecution of his journey. Arriving at St. Andrews on August 4th, 1821, he surveyed the remaining portion of the Scottish coast, and the east coast of England as far as Southend, which he reached towards the end of September (plates 196-224). The following year he left Sheerness on July 28th, and explored the south coast as far as Torquay, whence he returned to London on September 27th (plates 225-277). The concluding tour, a comparatively short one, commenced from Torquay on Thursday, August 21st, 1823, and embraced the final portion of the south coast to Land's end, which was reached for the second time on September 14th (plates 278-308). "

DUE TO SOFT COLOURING THESE ARE SLIGHTLY BLEACHED TO REVEAL ALL DETAILS IN A Very Compressed COMPUTER FRIENDLY FORMAT . . CORRECT DAYLIGHT PICS CAN BE DONE AND SENT IF WISHED    .. . . .. . NEW DATA & History page CLICK HERE



Plate 34. View of Conway Castle, Caernarvonshire Volume 2

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"but full page unless stated with huge margins, £180 inc posted all pretty mint; never previously framed so exceptional colour



Plate 33. Penman-maur, N. Wales /Volume 2

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"but full page unless stated with huge margins, £180 inc posted all pretty mint; never previously framed so exceptional colour



Plate 32. The Bath, built by Lord penryn  near Bangor, N. Wales /Volume 2

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"but full page unless stated with huge margins, £180 inc posted all pretty mint; never previously framed so exceptional colour



Plate 30. Beaumaris Castle, Anglesea /Volume 2

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"but full page unless stated with huge margins, £180 inc posted all pretty mint; never previously framed so exceptional colour



Plate 35. The Light-house on Point of Air Flintshire /Volume 2

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"but full page unless stated with huge margins, £180 inc posted all pretty mint; never previously framed so exceptional colour



Plate 124. Druidical stone Strather near Barvas , Isle of Lewis Volume 4

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11" **not quite full page still with huge margins,, £180 inc posted all pretty mint; never previously framed so exceptional colour



Plate 133. Entrance to the Cave of Smowe Volume 4

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"**not quite full page still with huge margins, £180 inc posted all pretty mint; never previously framed so exceptional colour



Plate 243. Near Beechy-head

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"but full page unless stated with huge margins,£150 inc posted  pretty mint; framed and glazed etc glass mucky not pic



Plate 239. Rye, Sussex

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"but full page unless stated with huge margins,£150 inc posted  pretty mint; framed and glazed etc pic in electric light



Plate 241. Hastings, from the East Cliff

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"but full page unless stated with huge margins,£150 inc posted  pretty mint; framed and glazed etc




Plate 242. Hastings, from near the White Rock

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"but full page unless stated with huge margins,£150 inc posted  pretty mint; framed and glazed etc


Plate 244. Brighton

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"but full page unless stated with huge margins,£150 inc posted  pretty mint; framed and glazed etc pic in electric light sorry
 

Dungeness Light House
. actually mounted etc/Landscape 225 x 300 mm. An original hand-coloured aquatint for From what is considered to be the most important 19th century colour plate book on English topography - 'A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.'. Published by Messrs. Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square London. May 1st 1814. London 1814-25.  condition . . . good margins ex book copy  on card with light offsetting otherwise perfect nice colouring. £85 inc



part of the South Stack Holyhead
. actually mounted etc/Landscape 225 x 300 mm. An original hand-coloured aquatint for From what is considered to be the most important 19th century colour plate book on English topography - 'A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.'. Published by Messrs. Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square London. May 1st 1814. London 1814-25.  condition . . . good margins ex book copy on card with slight soiling  otherwise perfect nice colouring. £75 inc



Castle-Head, Westmoreland
1816 . actually mounted etc/Landscape 225 x 300 mm. An original hand-coloured aquatint for From what is considered to be the most important 19th century colour plate book on English topography - 'A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.'. Published by Messrs. Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square London. May 1st 1814. London 1814-25.  condition . . . good margins light age toning  soiling  otherwise perfect nice colouring. £85 inc



North Foreland Light House
. actually mounted etc/Landscape 225 x 300 mm. An original hand-coloured aquatint for From what is considered to be the most important 19th century colour plate book on English topography - 'A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.'. Published by Messrs. Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square London. May 1st 1814. London 1814-25.  condition . . . okay margins ex book copy cut near plate 2cm margin to image. £55 inc slightly grubby



Harrington Near Whitehaven Cumberland
. . . actually mounted etc/Landscape 225 x 300 mm. An original hand-coloured aquatint for From what is considered to be the most important 19th century colour plate book on English topography - 'A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.'. Published by Messrs. Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square London. May 1st 1814. London 1814-25.  condition . full page. . late impression details rubbed otherwise perfect nice colouring. £85 inc



Mary Port Cumberland
. actually mounted etc/Landscape 225 x 300 mm. An original hand-coloured aquatint for From what is considered to be the most important 19th century colour plate book on English topography - 'A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.'. Published by Messrs. Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square London. May 1st 1814. London 1814-25.  condition . . . good margins ex book copy  on card with light offsetting and some marks nice colouring. £75 inc



Peel castle . . Isle of Man
. actually mounted etc/Landscape 225 x 300 mm. An original hand-coloured aquatint for From what is considered to be the most important 19th century colour plate book on English topography - 'A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.'. Published by Messrs. Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square London. May 1st 1814. London 1814-25.  condition . . . good margins ex book copy  on card with light offsetting otherwise perfect nice colouring. £85 inc



View Near Lower heysham lancashire
. actually mounted etc/Landscape 225 x 300 mm. An original hand-coloured aquatint for From what is considered to be the most important 19th century colour plate book on English topography - 'A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.'. Published by Messrs. Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square London. May 1st 1814. London 1814-25.  condition . . . good margins ex book copy  on paper  with light offsetting otherwise perfect nice colouring. £55 inc

North Shields Northumberland

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"but full page unless stated with huge margins,£150 inc posted all pretty mint; taken through filthy glass pic okay photo rubbish sorry

Sunderland Pier Durham

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"but full page unless stated with huge margins,£150 inc posted all pretty mint; taken through filthy glass pic okay photo rubbish sorry

Tynemouth Northumberland

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"but full page unless stated with huge margins,£150 inc posted all pretty mint; taken through filthy glass pic okay photo rubbish sorry

Castle on Holy island Northumberland

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"but full page unless stated with huge margins,£150 inc posted all pretty mint; taken through filthy glass pic okay photo rubbish sorry

Ayr

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"but full page unless stated with huge margins,£180 inc posted all pretty mint; newly framed with wash lined mounts etc so exceptional colour

Boston Lincolnshire

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"but full page unless stated with huge margins,£180 inc posted all pretty mint; newly framed with wash lined mounts etc so exceptional colour

Castle Head Westmorland

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"but full page unless stated with huge margins,£180 inc posted all pretty mint; newly framed with wash lined mounts etc so exceptional colour

Mr Nash's Castle

. this is one of the rarer card printed copies ie printed to card NOT to paper. Framed and glazed Landscape 225 x 300 mm. An original hand-coloured aquatint from what is considered to be the most important 19th century colour plate book on English topography - 'A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.'. Published by Messrs. Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square London. May 1st 1814. London 1814-25. .Framed glazed exceptionally good condition. Dated in plate 1822 £180 inc posted all pretty mint; taken through glass pic okay photo rubbish sorry

Poole .

. . .this is one of the rarer card printed copies ie printed to card NOT to paper. Framed and glazed.Landscape 225 x 300 mm. An original hand-coloured aquatint from what is considered to be the most important 19th century colour plate book on English topography - 'A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.'. Published by Messrs. Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square London. May 1st 1814. London 1814-25. .Framed glazed exceptionally good condition. Dated in plate 1822 £240 inc posted all pretty mint; taken through glass pic okay photo rubbish sorry

The Mill and Tower Liverpool

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"but full page unless stated with huge margins,£180 inc posted all pretty mint; newly framed with wash lined mounts etc so exceptional colour

Weymouth Dorset

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"but full page unless stated with huge margins,£180 inc posted all pretty mint; newly framed with wash lined mounts etc so exceptional colour

Pier at Adrossan Ayrshire 2

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"but full page unless stated with huge margins,£180 inc posted all pretty mint; newly framed with wash lined mounts etc so exceptional colour
 

Distant View of ayr

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"but full page unless stated with huge margins, £180 inc posted all pretty mint; never previously framed so exceptional colour

Pier at Adrossan

Fom 'A Voyage Round Great Britain' This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text.. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11"but full page unless stated with huge margins, £180 inc posted all pretty mint; never previously framed so exceptional colour

Walmer castle

Landscape 225 x 300 mm. An original hand-coloured aquatint for From what is considered to be the most important 19th century colour plate book on English topography - 'A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.'. Published by Messrs. Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square London. May 1st 1814. London 1814-25.Laid to card, narrow margins good colour £55 inc 



Polperro Cornwall

Landscape 225 x 300 mm. An original hand-coloured aquatint for From what is considered to be the most important 19th century colour plate book on English topography - 'A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.'. Published by Messrs. Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square London. May 1st 1814. London 1814-25.good margins good colour £95 inc  mark in border


Near Mallyan Cove Cornwall

Landscape 225 x 300 mm. An original hand-coloured aquatint for From what is considered to be the most important 19th century colour plate book on English topography - 'A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.'. Published by Messrs. Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square London. May 1st 1814. London 1814-25.good margins good colour £95 inc  

Hythe

Landscape 225 x 300 mm. An original hand-coloured aquatint for From what is considered to be the most important 19th century colour plate book on English topography - 'A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.'. Published by Messrs. Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square London. May 1st 1814. London 1814-25.Laid to card, narrow margins good colour laid to board and hint of matte burn ie shaded from being framed£55 inc 

 

Ovington near Brighton .

Plate 246. Volume VII

. actually mounted etc/Landscape 225 x 300 mm. An original hand-coloured aquatint for From what is considered to be the most important 19th century colour plate book on English topography - 'A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.'. Published by Messrs. Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square London. May 1st 1814. London 1814-25. Acceptable condition £75 inc some light soiling and minor creasing as shown in pic

Lowestoff, Suffolk ( Lowestoft)

Plate 219.Volume VI

. actually mounted etc/Landscape 225 x 300 mm. An original hand-coloured aquatint for From what is considered to be the most important 19th century colour plate book on English topography - 'A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.'. Published by Messrs. Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square London. May 1st 1814. London 1814-25. Pretty perfect condition £95 inc mounted to protect

Edinburgh from the Castle

Plate 201..Volume VI

Landscape 225 x 300 mm. Anreprint aquatint rom the original plates for the Tate gallery(1970's 100 copies only ) edition from what is considered to be the most important 19th century colour plate book on English topography - 'A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.'. Published by Messrs. Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square London. May 1st 1814. London 1814-25. .Framed glazed exceptionally good condition. £60 inc posted












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