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Sir
William Hamilton
(1730-1803) and Pierre Francois
Hugues d'
Hancarville,(1719-1805) .
Etruscan Antiquities, Published
Naples:by Francesco Morelli,
1766-1767]. Engraving,
hand-coloured in red and black.by
Hugues d'Hancarville titled
Collection of Etruscan, Greek and
Roman Antiquities...
Antiquités Etrusques,
Grecques et Romaines. Tirées
du Cabinet de M. Hamilton. Sir
William Hamilton was the British
ambassador to Naples during the
city's golden age, from 1764 to
1800. An avid antiquarian, Hamilton
assembled one of the world's finest
collections of Greek and Roman
antiquities. The core of his
collection was bought en bloc from
the Porcinari family, after an
introduction by Hugues
d'Hancarville, an amateur art
dealer. Hamilton added several more
choice items before selling the
entire collection to the British
Museum in 1772 for £8400, where
it became one of main collections in
the department of Greek and Roman
antiquities. However, before the
collection was shipped to England,
Hamilton arranged for Hugues
d'Hancarville to oversee the
cataloguing and drawing of every
item. The published work appeared in
1766-1767 and is a triumphant
example of graphic art of the
highest order: the present image is
one of the results.
In addition to
his duties as ambassador, Hamilton
was also renowned as a knowledgeable
guide and congenial host to the
visiting English 'Grand Tourists'.
With infectious enthusiasm he would
extol the wonders of Naples and the
beauties of arts of the ancient
world, inspiring in many of his
aristocratic visitors a genuine love
of the antique. This new-found
enthusiasm, fuelled by images such
as the present engraving, found its
expression in the new style of
neo-classicism and in the
collections of antiquities which
found their way to many of the
stately homes of England. These
items are framed and £165
each delivered less of course if
collected
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Outline
copper engraved plates of classical
antiquities, from Antichita di
Ercolano ( 1744 to 17920 ) by Georg
Christoph Kilian,1709-1781
Georg
Christoph Kilian,1709-1781
followed an apprenticeship with his
father with the traditional years of
travel, visiting Nuremberg and
Hungary and working for a period in
Vienna, where he studied the art of
the Old Masters. He returned to
Augsburg and established himself
there, enjoying a high reputation in
the literary and artistic circles of
his time.
He
worked both as a talented artist and
as an historian, art collector and
biographer of other artists. Apart
from his renowned natural history
collection, Kilian had a well-chosen
art library and above all a
comprehensive graphics collection,
comprising engravings, woodcarvings
and drawings.
He
collected in particular the works of
his own family. He himself also
engraved portraits of his ancestors
and family for the collection. The
latter, bound in six volumes, now
forms an important part of the
Augsburg Staats- &
Stadtbibliothek, to which he
bequeathed it, along with the
majority of his collection of 16000
engravings & prints in 1781.
His
cartographic works included the
Supplement to the Atlas Curieux
[1738]; Kleiner Atlas
[1757], Kriegs Atlas
[1758], Theat. Guerre
Allemagne - 61 maps [1760],
America Septentrionalis
[1760]
Le
Antichita di Ercolano (The
Antiquities of Heculaneum) was a
collection of images of
archeological finds from the
excavations at the Roman city of
Herculaneum. It was published over a
40 year period from 1744 to 1792 as
the excavations continued. Many
different artists and archeologists
of the day worked on it. The Roman
cities of Pompeii and Herculaneum
were burried by the eruption of
Mount Vesuvius on the morning of 25
August, 79 AD. It was not until 1709
that the city of Herculaneum was
discovered when a peasant digging a
well on his property was astonished
to uncover large slabs of inscribed
marble.
Measurements:.
. most plate-mark: 15 3/4" x 11" . .
. sheet: 19 1/2" x 14 1/4"
£35
each post inclusive any defects will
be noted per
image
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From another edition pl1 £15
cropped page
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From another edition pl2 £15
cropped page
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Tom II TAB XLVII . .
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Tom II TAB XLI some creasing From the
printing ! some offsetting
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Tom II TAB XLVI some SOFT creasing From
the printing !
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Tom II TAB XLIII some creasing From the
printing !
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Tom II TAB XLVIII some creasing From
the printing ! some
offsetting
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