Drawn by
GeorgeBarnard from Theory and Practice of Landscape
Painting in Water-Colours. Illustrated by a series of Twenty-six
drawings and diagrams in colours, and numerous woodcuts.:- Trees,
first edition , printed using Leighton's Chromatic Process
(frequently mistaken for chromolithography), printed entirely from
woodblocks.( similar to Morris Houses ), from a set of 30
large plates printed by M. & N. Hanhart, some light foxing
and mostly marginal creasing, a few small tears, folio, Published
by Winsor & Newton, 1868. So rare can only find one copy sold
but as the entire book so possibly a very small print run
The Oak,
Holme Park Bushey No 12
Drawn by GeorgeBarnard from Theory and Practice of
Landscape Painting
in Water-Colours. Illustrated by a series of Twenty-six drawings and
diagrams in colours, and numerous woodcuts.:- Trees, first
edition ,
printed using Leighton's Chromatic Process (frequently mistaken
for
chromolithography), printed entirely from woodblocks. CONDITION crease
above to edge of image area £75
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Cedars Of Lebanon,
Warwick Castle No 29
Drawn by GeorgeBarnard from Theory and Practice of
Landscape Painting
in Water-Colours. Illustrated by a series of Twenty-six drawings and
diagrams in colours, and numerous woodcuts.:- Trees, first
edition ,
printed using Leighton's Chromatic Process (frequently mistaken
for
chromolithography), printed entirely from woodblocks. CONDITION
crease to base edge and right edge out of image area
£75
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The Juniper,
Forest of Fontainbleau No 30
Drawn by GeorgeBarnard from Theory and Practice of
Landscape Painting
in Water-Colours. Illustrated by a series of Twenty-six drawings and
diagrams in colours, and numerous woodcuts.:- Trees, first
edition ,
printed using Leighton's Chromatic Process (frequently mistaken
for
chromolithography), printed entirely from woodblocks. CONDITION
creases to base edge near title and right edge out of
image area £75
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The Spruce Fir
The Wettertanne of the Alps No 6
Drawn by GeorgeBarnard from Theory and Practice of
Landscape Painting
in Water-Colours. Illustrated by a series of Twenty-six drawings and
diagrams in colours, and numerous woodcuts.:- Trees, first
edition ,
printed using Leighton's Chromatic Process (frequently mistaken
for
chromolithography), printed entirely from woodblocks. CONDITION water
mark right edge out of image area £75
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The Elm
Oakley Surrey No 1
Drawn by GeorgeBarnard from Theory and Practice of
Landscape Painting
in Water-Colours. Illustrated by a series of Twenty-six drawings and
diagrams in colours, and numerous woodcuts.:- Trees, first
edition ,
printed using Leighton's Chromatic Process (frequently mistaken
for
chromolithography), printed entirely from woodblocks. CONDITION
soiling creases to base edge repaired tears £35
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Struthiola Ciliata. Fringed-leaved Struthiola.
1802. Etching with original handcolour image is full sheet
size on 27 x 20 cm . With accompanying text sheet giving
botanical information, where the specimen was found etc. Botanical
details are included along the lower edge of the plate. Plate 139 from
"The Botanist's Repository, Comprising Colour'd Engravings of New and
Rare Plants Only" by H.C. Andrews /Andrews, Henry C. (illus).Unmounted
£40 inc delivery
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The Great Chestnut in Cobham Park
By Jacob George Strutt, from Sylva Britannica Or Portraits of
Forest
Trees Distinguished For Their Antiquity, Magnitude, Or Beauty.
Published for the Author by Longman, Rees, Orme, Brown, and Green,
London: not positive as to edition so either 1822 or 1838, 14.5 x 12.5
inches Jacob George Strutt, painter and etcher, studied in
London, and
was a contributor to the Royal Academy and British Institution at
intervals between 1819 and 1858. For a few years he practiced
portrait-painting, but from 1824 to 1831 exhibited studies of forest
scenery, and he is now best known by two sets of etchings which he
published at this period `Sylva Britannica, or portraits of Forest
Trees distinguished for their Antiquity' (1822; reissued, in 1838), and
`Delicia Sylvarum, or grand and romantic Forest Scenery in England and
Scotland' (1828). About 1831 Strutt went abroad, and, after residing
for a time at Lausanne, settled in Rome. In 1851 he returned to
England, but was not active after 1858. £155 tinted
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The Great bale Oak at Welbeck
By Jacob George Strutt, from Sylva Britannica Or Portraits of
Forest
Trees Distinguished For Their Antiquity, Magnitude, Or Beauty.
Published for the Author by Longman, Rees, Orme, Brown, and Green,
London: not positive as to edition so either 1822 or 1838, 14.5 x 12.5
inches Jacob George Strutt, painter and etcher, studied in
London, and
was a contributor to the Royal Academy and British Institution at
intervals between 1819 and 1858. For a few years he practiced
portrait-painting, but from 1824 to 1831 exhibited studies of forest
scenery, and he is now best known by two sets of etchings which he
published at this period `Sylva Britannica, or portraits of Forest
Trees distinguished for their Antiquity' (1822; reissued, in 1838), and
`Delicia Sylvarum, or grand and romantic Forest Scenery in England and
Scotland' (1828). About 1831 Strutt went abroad, and, after residing
for a time at Lausanne, settled in Rome. In 1851 he returned to
England, but was not active after 1858. £95 tinted
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